Coonts, military-combat thrillermeister, pits his series character, Jake Grafton, against a power-mad Cuban bureaucrat armed with Soviet ICBMs aimed at the US. As Fidel Castro lies dying of cancer in Havana, returning Cuban ÇmigrÇs, government sleazies, radicals, former revolutionaries, CIA smoothies, and even a local baseball hero all find themselves ensnared in power plays. Just offshore, former Navy flyboy Jake Grafton, now a rear admiral with an aircraft carrier to call his own, and his sidekick, Toad Tarkington, supervise a routine transfer of empty chemical-bacteriological warheads from the American base at Guant†namo Bay. Alas, scheming Cuban State Security head Alejo Vargas and his sadistic sidekick Colonel Santana have cut deals with the notorious gangster El Gato as well as with some North Koreans, so that enough of those warheads will end up in a secret laboratory where mad American scientist Olaf Swenson is cooking up a lethal, quick-killing version of the polio virus. Meanwhile, the Sedano family, with relatives at almost every strata of Cuban society, have their hands full: greedy finance minister Maximo Sedano wants to pocket Castro’s $54 million Swiss bank account and dig up 47 tons of gold that Castro and Che Guevara supposedly hid when they overthrew Batista; his wife Mercedes, Castro’s mistress, fears that Vargas is up to no good; brother Hector, a somewhat fallen Jesuit priest, wants to preserve Cuba from those who would exploit it; and youngest brother Ocho, the baseball star, joins a group of boat people when he finds out his girlfriend Dora is pregnant. But wait—there’s more: ancient, but still operational Soviet ICBMs, a crack Cuban MIG pilot and the Mission Impossible high jinks of CIA operatives. Grafton himself is less action hero here than cool, seasoned commander who stoically accepts the President’s impossible order to invade Cuba and stop the next missile crisis without antagonizing the native population. An overplotted slog of snarling Latinos and everything-you-never-needed-to-know about Cuban social history—until the shooting starts and Coonts delivers some of his best gung-ho suspense writing yet. (325,000 ad/promo; author tour)
Pub Date: Aug. 3, 1999
ISBN: 0-312-20521-X
Page Count: 390
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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