For armchair pilots, love at first flight.
The flyboy talespinner takes a break between bouts of aerial combat (Liberty, 2003, etc.) to assemble 23 novel excerpts, stories, and pop fragments for those with their hearts in the clouds.
The “one tangible symbol” of the last century, Coonts says, is the “airplane. No invention in the history of our species has had a greater impact on human life.” We can forgive some preaching diverted in this companion to Coonts’s nonfiction War in the Air: True Accounts of the 20th Century’s Most Dramatic Air Battles (1996). Few of the selections are concerned with the “impact” of the airplane on life because Coonts has excluded science-fictionists, who wrote so much about the effect of early flight technology on society. We do get Jules Verne, whose “Five Days in a Balloon” is a lackluster choice considering the more interesting events that occurred on a vast papier-mâché airplane Verne prophesied in Master of the World. The rest here offer superior accounts of flight or aerial warfare (the best from John Hersey’s The War Hunter, Jack Hunter’s The Blue Max, Ernest Gann’s The High and The Mighty, and Coonts’s own excerpt from Flight of the Intruder) as opposed to tales that use the new powered flight to retell old stories: the horrors of war (a morsel from Catch-22 as well as Faulkner’s “All the Dead Pilots”) and the nobility of combat (Dale Brown, Ralph Peters, and others). Snippets from Kipling, Michener, Len Deighton, and Louis L’Amour indicate that they, too, wrote about flying. Most embarrassing is Conan Doyle’s deathless “Horror of the Heights,” about monsters lurking in the clouds. Most interesting are three marvelous pop-culture fragments: “Bill’s First Airplane Ride,” by Major Henry Arnold; an unattributed glimpse of the adventures of pulp magazine superspy G-8; and Edgar Allan Poe’s fabricated account of a transatlantic balloon race, a story that was believed—for a while—when published in 1844.
For armchair pilots, love at first flight.Pub Date: Nov. 1, 2003
ISBN: 0-312-87724-2
Page Count: 624
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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