Picking up where they left off in Flight of the Intruder (1986), Coonts and his inimitable Navy flyboy, Lt. Jake Grafton, coast on autopilot in this turgid novel of stick-and-rudder derring-do. Long on jargon, acronyms, and technical descriptions but short on actual storytelling, the saga begins in the days following the 1973 US pullback from Vietnam. On leave, Jake pays a visit to best gal Callie McKenzie's home. Callie's pop, a station wagon liberal embittered by the crippling injuries sustained in battle by his son, Theron, has a heated debate with the usually dovish Jake, precipitating an angry flight to a local watering hole. A few glasses later, Jake overhears a drunk taunting a crippled vet and launches the loudmouth through a window. To escape legal reprisal, our hero gladly accepts his first peacetime assignment: instructing Marine pilots in the manly art of carrier-based flying aboard the USS Columbia. Here's where the eponymous A-6 Intruder attack aircraft comes in, and any semblance of plot departs. Sure, there are many new characters: Hugh Skidmore, aka The Real McCoy, a sassy Navy instructor who plays the stock market; Jake's navigator, ``Flap'' LeBeau, a wisdom-spouting Afro-American Marine; and other types running the gamut from fun-loving to psychotic. But action mainly consists of A-6 crews endlessly executing noncombat maneuvers at sea. A difficult task to be sure, but not interesting enough to hold together a novel. In fact, with the exception of a running subplot featuring a ``line-in-the-sand'' conflict with the nearby Soviet fleet and Jake and Flap's bold escape from gunrunners near the story's end, Coonts's narrative style very closely resembles a commander's log—sans command. Those hale enough to finish this muddled flight manual cum novel in one sitting will likely possess enough knowledge about the A-6 to fly one in their sleep. A good thing, since the book certainly won't keep them awake. (First printing of 225,000; author tour)
Pub Date: Oct. 1, 1994
ISBN: 0-671-87060-2
Page Count: 352
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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