Picking up where they left off in Flight of the Intruder (1986), Coonts and his inimitable Navy flyboy, Lt. Jake Grafton, coast on autopilot in this turgid novel of stick-and-rudder derring-do. Long on jargon, acronyms, and technical descriptions but short on actual storytelling, the saga begins in the days following the 1973 US pullback from Vietnam. On leave, Jake pays a visit to best gal Callie McKenzie's home. Callie's pop, a station wagon liberal embittered by the crippling injuries sustained in battle by his son, Theron, has a heated debate with the usually dovish Jake, precipitating an angry flight to a local watering hole. A few glasses later, Jake overhears a drunk taunting a crippled vet and launches the loudmouth through a window. To escape legal reprisal, our hero gladly accepts his first peacetime assignment: instructing Marine pilots in the manly art of carrier-based flying aboard the USS Columbia. Here's where the eponymous A-6 Intruder attack aircraft comes in, and any semblance of plot departs. Sure, there are many new characters: Hugh Skidmore, aka The Real McCoy, a sassy Navy instructor who plays the stock market; Jake's navigator, ``Flap'' LeBeau, a wisdom-spouting Afro-American Marine; and other types running the gamut from fun-loving to psychotic. But action mainly consists of A-6 crews endlessly executing noncombat maneuvers at sea. A difficult task to be sure, but not interesting enough to hold together a novel. In fact, with the exception of a running subplot featuring a ``line-in-the-sand'' conflict with the nearby Soviet fleet and Jake and Flap's bold escape from gunrunners near the story's end, Coonts's narrative style very closely resembles a commander's log—sans command. Those hale enough to finish this muddled flight manual cum novel in one sitting will likely possess enough knowledge about the A-6 to fly one in their sleep. A good thing, since the book certainly won't keep them awake. (First printing of 225,000; author tour)
Pub Date: Oct. 1, 1994
ISBN: 0-671-87060-2
Page Count: 352
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
Fans weary of King's recent unwieldy tomes can rest easy: his newest is slim, slick, and razor-keen. His first novel without supernatural elements outside of the Richard Bachman series, this psychological terror tale laced with pitch-black humor tells the nerve-jangling story of a best-selling author kidnapped and tortured by his "number one fan." King opens on a disorienting note as writer Paul Sheldon drifts awake to find himself in bed, his legs shattered. A beefy woman, 40-ish Annie Wilkes, appears and feeds him barbiturates. During the hazy next week, Paul learns that Annie, an ex-nurse, carried him from a car wreck to her isolated house, where she plans to keep him indefinitely. She's a spiteful misanthrope subject to catatonic fits, but worships Paul because he writes her favorite books, historical novels featuring the heroine "Misery." As Annie pumps him with drugs and reads the script of his latest novel, also saved from the wreck, Paul waits with growing apprehension—he killed off Misery in this new one. tn time, Annie rushes into the room, howling: she demands that Paul write a new novel resurrecting Misery just for her. He refuses until she threatens to withhold his drugs; so he begins the book (tantalizing chunks of which King seeds throughout this novel). Days later, when Annie goes to town, Paul, who's now in a wheelchair, escapes his locked room and finds a scrapbook with clippings of Annie's hobby: she's a mass-murderer. Up to here, King has gleefully slathered on the tension: now he slams on the shocks as Annie returns swinging an axe and chops off Paul's foot. Soon after, off comes his thumb; when a cop looking for Paul shows up, Annie lawnmowers his head. Burning for revenge, Paul finishes his novel, only to use the manuscript as a weapon against his captor in the ironic, ferocious climax. Although lacking the psychological richness of his best work, this nasty shard of a novel with its weird autobiographical implications probably will thrill and chill King's legion of fans. Note: the publisher plans an unprecedented first printing of one-million copies.
Pub Date: June 8, 1987
ISBN: 0451169522
Page Count: 356
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: May 15, 1987
BOOK TO SCREEN
It’s more than coincidence that the novel features two sets of relatives whose blood ties are once removed, for the family...
Within the current political climate, the reader might expect a new novel about the war in Vietnam to provide a metaphor for Iraq. Yet Denis Johnson has bigger whales to land in his longest and most ambitious work to date. Tree of Smoke is less concerned with any individual war than with the nature of war, and with the essence of war novels. There are echoes here of Joseph Conrad’s Heart of Darkness (particularly as transformed by Francis Ford Coppola into Apocalypse Now) and Joseph Heller’s Catch-22, yet Johnson’s achievement suggests that each generation gets the war—and the war novel—it deserves.
At the center of Johnson’s epic sprawl is Colonel Francis Sands, the novel’s Captain Ahab, a character of profound, obsessive complexity and contradiction. Is he visionary or madman, patriot or traitor? Dead or alive? Or, somehow, all of the above? Because the reader perceives the Colonel (as he is reverently known) through the eyes of other characters, he shimmers like a kaleidoscope of shifting impressions. His military involvement in Asia preceded Japan’s attack on Pearl Harbor, and he has continued to operate as a CIA agent within the shadows of Vietnam, while perhaps answering to no authority higher than his own.
From World War II through the war in Vietnam, much has changed—allegiances and alliances, public sentiment, the modes of modern warfare. Yet the Colonel hasn’t—he won’t or he can’t. Though he is plainly the novel’s pivotal figure, Johnson spends more time inside the psyche of the Colonel’s nephew, William “Skip” Sands, whose father died in action and whose enlistment extends a family tradition. He’s as naïve as the Colonel is worldly, as filled with self-doubt as his uncle is free of it, but he ultimately joins his relative in psychological operations against the enemy—whomever that may be. Eventually, he must decide whether it is possible to serve both his legendary relative and his country.
A less engaging subplot concerns half-brothers Bill and James Houston, who enter the war as teenagers to escape their dead-end lives in Arizona. Where the Sands family operates on the periphery of the war, the Houstons are deep in the muck of it. Though they are what once might have been called cannon fodder, the war gives their lives definition and a sense of mission, of destiny, that is missing back home—which will never again feel like home after Vietnam.
Pub Date: Sept. 1, 2007
ISBN: 978-0-374-27912-7
Page Count: 624
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
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