Dunn, a poet with eight published collections, turns to the essay with appealing diffidence but without anything especially startling or even lovely to say. The author sticks closely to a kind of folksy revelation (``The Truth: A Memoir'' consists of the personal stories he has embellished over the years, and this essay links up with ``Artifice and Sincerity,'' in which Dunn sets up the straw man of sincerity only to knock it down with the charger of imagination) or else to the memories of his childhood in Queens, lone gentile in a neighborhood of Jewish kids, making his way into individuality by means of basketball and then poetry. Dunn's about as pure a product of the American Workshop style as you can find—and his essays have a homogenized, can-you-believe-that? approach peculiar to the poetry of this style: language at simmer, colors as dull as the Gap's, homiletics dressing up as wisdom (``To know where you are requires imagination. To move well requires skill. Behind both, optimally, should be a sense of history''; ``Lovers are unreliable witnesses, which is why reliability is not always to be desired''). The essays—many first published in AWP, the academic poets' house-journal—are nearly impossible to imagine as having been written by anyone other than a tenured American creative-writing teacher circa 1980's.

Pub Date: May 10, 1993

ISBN: 0-393-03488-7

Page Count: 224

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1993

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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