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THE ADDERALL DIARIES

A MEMOIR OF MOODS, MASOCHISM, AND MURDER

Deserves a place on the shelf next to such classics of uninhibited American introspection as On the Road and A Fan’s Notes.

An endlessly fascinating memoir by a profoundly courageous writer.

Novelist and cultural critic Elliott (My Girlfriend Comes to the City and Beats Me Up, 2006, etc.) has plumbed his difficult life for his novels and short stories. A runaway at age 13, following his mother’s death, he spent years in group homes around Chicago, engaging in petty crimes and developing addictions to heroin and other narcotics, rather than stay with his violence-prone sadistic father. As he began his latest book, Elliott was just resuming a daily regimen of Adderall ingestion. Off the drug, he lost the focus to write anything. Back on it and experimenting with means of enhancing its amphetamine-like effects, his mind still raced, but he was better able to channel his energies into writing down his rapid-fire thoughts. His new book, he decided, would be about a murder trial getting underway in San Francisco, where he had settled after a restless post-adolescence period. In the spring of 2007, Silicon Valley entrepreneur Hans Reiser was accused of killing his Russian-born wife Nina, whose body had yet to be found. The author's interest in the case was sparked by a confession of Reiser's best friend Sean Sturgeon, with whom Nina had an affair. The confession reminded Elliott of his father's odd story that he killed a man who had publicly humiliated him the year before Elliott was born. Despite the luridness of the subject matter, the author creates a refined, beautiful work of art. His themes—seemingly crime, murder, drugs and sadomasochistic sex—actually encapsulate the nature of truth, self, love and memory, and the limits of art to get at them all.

Deserves a place on the shelf next to such classics of uninhibited American introspection as On the Road and A Fan’s Notes.

Pub Date: Sept. 1, 2009

ISBN: 978-1-55597-538-8

Page Count: 224

Publisher: Graywolf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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