An idiosyncratic poetic lark with a clear religious message.
Animals role-play events from humanity’s history, highlighting its foibles and providing a few laughs.
Feinland (Homesick for Heaven, Part 3, 2014, etc.) tells a fable of Western civilization during four eras: from Jesus’ birth to his betrayal and crucifixion; from the early days of Christianity to the Middle Ages; from the French Revolution to World War II; and from the disputed U.S. presidential election of 2000 to an imagined future uprising of the underclass and a time of blissful peace. He does it all in the form of a long, epic poem, using a menagerie of animals to stand in for humans. In the beginning, a chaste lion falls in love with a moon deity he calls “Diana.” A virgin lioness named Marlene follows Diana and gives birth to a cub named Leo who, as prophesied in the poem, goes on to “splash ’round in our tub / And rule us with a hand of iron. / He will preach unto them / Who love Hashem [God] / With mighty power.” Leo goes on to lead a band of apostles, including animals named Simple Simon, Andy, and Rocky. Three days after a band of wolves kills Leo, Diana’s rays revive him. The story blazes on through the centuries as the cast of animals changes. Feinland revels in wordplay, from the simple to the obscure. Rocky the Lion, for example, stands in for Peter the first pope (“Peter” comes from the Latin “petrus,” or “rock”), and a wolf named Dolf cries out to his followers, “Ve volves must look after our own / Or be left mitout efen ein bone!” Later, an Australian media-mogul kangaroo “hopped over to America / Publishing and filming garbage.” As a result, despite its cast of animal characters, this retelling is more suited to adult readers. Feinland’s poetry is rangy and varied, moving from blank verse to rhymed couplets to simple four-line rhymes and back again. Sometimes the lines seem smooth and natural, and at others, they’re squeezed uncomfortably into their forms. The most appreciative readers will be those who know the underlying biblical and historical tales, as they’ll chuckle at the reframing.
An idiosyncratic poetic lark with a clear religious message.Pub Date: June 7, 2012
ISBN: 978-1470171070
Page Count: 96
Publisher: CreateSpace
Review Posted Online: Feb. 27, 2015
Kirkus Reviews Issue: April 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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