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M-WORLD

Exciting, heart-pounding action; genuine motivations; and vivid writing make this a compellingly entertaining coming-of-age...

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A teenager who can grasp alien symbols becomes the key to resisting a megacorporation in this debut YA sci-fi novel.

In 2038, Earth is dense with huge, overcrowded apartment buildings populated by a workforce for enormous factories that cheaply manufacture goods sold at high prices in wealthy, luxurious off-world colonies. Militarized robots police the worker bees, and information is highly censored. Samuel Hughes sees only one way to help his unemployed father, William, and gravely ill sister: by working in Tricium Group’s off-world mines. It’s dangerous, and William warns Sam that stories of mining wealth are just propaganda, but the boy is determined, and at age 15, he’s old enough. But then he and other miners barely make it from their crashing transport ship to an escape pod, which lands on an Earth-like planet uninhabited by people or animals, although ruins are visible to the north. The survivors include nine men and eight women; the youngest are Sam and Rebecca Helmsford. The pod contains food and other supplies, but the survivors have to scatter when huge robots begin attacking. Sam and Rebecca flee with Tamrun Jones, a tall ex-soldier whose calm leadership is invaluable. After regrouping in the ruins, Sam discovers that he can perceive a symbol field, at first with pain and difficulty and then increasing facility, which will allow him to control the planet’s technology. In the mountains nearby, he can also get crucial guidance from the Sentience, a kind of wise computer. A ruthless Earth conspiracy at the highest reaches wants to use Sam to exploit the planet’s rich resources—but with help from the Sentience, his friends, and the resistance movement, Sam might pull off a dangerous bid to return to Earth and beard the all-powerful Tricium lion in his den. In his well-written novel, Flanagan tells an appealing story of the seemingly small and weak standing up to overwhelming forces. Though technology is in some ways at the center of the tale, the author takes care to underscore the human element, as in the tender relationship between Sam and his sister, Kara. Similarly, the attraction between Sam and Rebecca isn’t perfunctory or simply a matter of physical attraction but based on the qualities they’ve displayed. When Sam tells her, “I think the person you are is amazing,” it’s believable and touching. The extraterrestrial civilization seems truly—and captivatingly—alien, not just familiar elements in exotic dress. Flanagan does a fine job of establishing what’s at stake by first showing the dreary futility of life for most on Earth, a plausible haves/have-nots setup with resonance for readers today given widening wealth inequality. The plot is well-orchestrated, with several tense battle scenes, some surprises, and a growing sense of urgency as the narrative progresses that leads to a taut, deftly described, complex, and cinematic action sequence. The ending is well-judged, with an outcome that leaves room to grow.

Exciting, heart-pounding action; genuine motivations; and vivid writing make this a compellingly entertaining coming-of-age tale.

Pub Date: Dec. 13, 2018

ISBN: 978-1-5423-6948-0

Page Count: 235

Publisher: CreateSpace

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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