A provocative story that shrewdly mixes Western and gothic themes.
A man heads west with his mute son in an ill-fated attempt to get lucky in both mining and love.
Foreman (Toehold, 2007) takes as his hero Gideon, a young man born with a “lazy tongue.” Unable to speak, he sticks close to his father Jubal, who readily intuits his needs and feelings. It’s the mid-’50s (Elvis Presley, Hank Williams and Patsy Cline play in the backdrop), and Jubal hopes to make his fortune by heading from Mississippi to Utah to try his hand at uranium mining. Along the way he meets Abilene Breedlove, a good-time girl who preys on men’s ambitions with little concern for morality. So when Abilene and Jubal connect early on, it’s clear to the reader—and Gideon—that there will be trouble. Foreman works in a clean, plainspoken style, writing about the Utah landscape in a manner that evokes other Western writers such as Kent Haruf and Thomas McGuane, though he adds more lurid touches as a love triangle emerges. While Jubal and Gideon work their claim, Abilene begins a lusty affair with Jack, a wealthy landowner. Foreman isn’t subtle about the sinister goings-on here; the patch of land where Jubal drills is called the Dark Angel, and Jack’s last name is Savage. The author’s efforts to give the novel a mythic feel occasionally makes for clichéd prose: “Abilene Breedlove had bored a hole through the skull of Jubal Pickett, crept inside his brain, and searched out all his dreams.” But Foreman expertly intensifies the drama, and he gets away with the occasionally overstated passage by making Gideon a keen observer of the proceedings. As a stand-in for the reader, he seethes at the abuses and manipulations to which his father is subjected, and if Gideon’s own trial by fire in the closing pages seems unrealistic, it’s a fine setup for the satisfyingly vengeful parrying that marks the closing pages.
A provocative story that shrewdly mixes Western and gothic themes.Pub Date: Nov. 1, 2009
ISBN: 978-1-4391-3574-7
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2009
Thinness aside: riveting stuff, with language so frank it curls your hair.
Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect(1994), which mixes sexual history with political diatribe, is popular in schools countrywide.
In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: He murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come.
Thinness aside: riveting stuff, with language so frank it curls your hair.Pub Date: April 1, 1999
ISBN: 0-671-02578-3
Page Count: 320
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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