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TRANSATLANTIC

SAMUEL CUNARD, ISAMBARD BRUNEL, AND THE GREAT ATLANTIC STEAMSHIPS

Fine reading for an ocean cruise.

A lively, well-researched history of the race, technological and commercial, to send steam-powered vessels across the pond.

Canadian entrepreneur Samuel Cunard and British engineer Isambard Brunel independently recognized how difficult achieving such a goal would be, writes Fox (Big Leagues, 1994): the technology of steam-driven engines, introduced a generation before, was certainly perfectible and adaptable to the task, but the Atlantic Ocean posed its own challenges in the form of huge storms and swift currents; “the Atlantic to America,” Cunard remarked, “is the worst navigation in the world. The westerly winds prevail very much, and you have ice and fog to contend with.” Still, with the sweeping successes of the railroad and the fortunes it promised, both men labored endlessly, though with different approaches, to find the investors and equipment to make the passage possible. Brunel, who suffered from seasickness and never undertook an ocean voyage until the last year of his long life, introduced brute-force designs, with alloy hulls and screws to do Archimedes proud, that seem intended to cow the sea into submission, and his huge steam vessel, the Great Western, was the first to cross the waters in 1838; Cunard, more concerned with creature comforts and elegance, settled for second place in the race, but built a great fleet of ships that were the finest of their time. One fan of Cunard’s fleet was Mark Twain, who luxuriated aboard ships such as the Batavia on his world tours, but who was quick to shift loyalties when a competitor, the Inman Line, launched the still more elegant City of Chester in 1873. Though synonymous with ocean crossing, the Cunard Line fell into neglect with the death of Samuel and transfer of ownership to his uninterested sons. The company would make a memorable comeback, however, in the early 1900s with two magnificent ships—the Mauretania and her ill-fated sister, Lusitania.

Fine reading for an ocean cruise.

Pub Date: July 4, 2003

ISBN: 0-06-019595-9

Page Count: 512

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2003

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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