A layered, challenging fusion of genres.
A sci-fi debut about a biotechnologist, a blacksmith, and an odd biological phenomenon’s effect on history.
In 1999, biotechnology engineer John Samuel Weston runs the Haddonfield, New Jersey–based consulting company Haddon Life-Tech with his business partner, Bob Fenwick. One day, he wakes up in Our Lady of Lourdes Hospital in Camden County, New Jersey, where he was admitted three days ago with an abscessed insect bite on his neck. Dr. Caldwell informs John that when he came in, he was dehydrated, delusional, and insistent that he “go back and save” an unnamed woman. Later, Bob’s wife, Katie, tells John that his partner was committed to the Lakeland psychiatric hospital after becoming obsessed with a secret project in his basement and some sort of “messianic mission.” Bob also suffered a severe insect bite while fishing the nearby Delaware Bay. The bites could be from greenhead flies bred by GenAvance, a company that John and Bob are courting for a biotech design contract. In a parallel plotline, set in 1774 Greenwich, New Jersey, an arsonist has been striking terror into the locals with a string of fires. When tragedy hits blacksmith Thomas Whitman, he joins forces with a Lenni Lenape Native American named Dan Fire Cloud and a slave named Isabel to find help from an unlikely source. In his debut novel, Goldhahn swings for the fences, combining complex historical and scientific themes. A deep reverence for history informs the colonial-era scenes, set on the eve of the American Revolution, which reveal such details as “Coffeehouses were enjoying a surge of popularity...as coffee was fast replacing tea as the politically correct beverage of choice.” Goldhahn also explains scientific terms well, such as an “epigenetic” phenomenon, which he describes as when “something from the environment...triggers the expression of the gene or genes.” Occasionally, narrative padding, in the form of travel details and trivia (such as the explanation of the phrase “Shay pah”), drains the momentum from an otherwise heady mystery. However, the bold ending makes readers’ investment in the characters pay off remarkably.
A layered, challenging fusion of genres.Pub Date: Jan. 30, 2018
ISBN: 978-0-9965551-0-4
Page Count: 534
Publisher: Rigel Publishing
Review Posted Online: Dec. 19, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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