A layered, challenging fusion of genres.

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GREENWICH

THE FINAL PROJECT

A sci-fi debut about a biotechnologist, a blacksmith, and an odd biological phenomenon’s effect on history.

In 1999, biotechnology engineer John Samuel Weston runs the Haddonfield, New Jersey–based consulting company Haddon Life-Tech with his business partner, Bob Fenwick. One day, he wakes up in Our Lady of Lourdes Hospital in Camden County, New Jersey, where he was admitted three days ago with an abscessed insect bite on his neck. Dr. Caldwell informs John that when he came in, he was dehydrated, delusional, and insistent that he “go back and save” an unnamed woman. Later, Bob’s wife, Katie, tells John that his partner was committed to the Lakeland psychiatric hospital after becoming obsessed with a secret project in his basement and some sort of “messianic mission.” Bob also suffered a severe insect bite while fishing the nearby Delaware Bay. The bites could be from greenhead flies bred by GenAvance, a company that John and Bob are courting for a biotech design contract. In a parallel plotline, set in 1774 Greenwich, New Jersey, an arsonist has been striking terror into the locals with a string of fires. When tragedy hits blacksmith Thomas Whitman, he joins forces with a Lenni Lenape Native American named Dan Fire Cloud and a slave named Isabel to find help from an unlikely source. In his debut novel, Goldhahn swings for the fences, combining complex historical and scientific themes. A deep reverence for history informs the colonial-era scenes, set on the eve of the American Revolution, which reveal such details as “Coffeehouses were enjoying a surge of popularity...as coffee was fast replacing tea as the politically correct beverage of choice.” Goldhahn also explains scientific terms well, such as an “epigenetic” phenomenon, which he describes as when “something from the environment...triggers the expression of the gene or genes.” Occasionally, narrative padding, in the form of travel details and trivia (such as the explanation of the phrase “Shay pah”), drains the momentum from an otherwise heady mystery. However, the bold ending makes readers’ investment in the characters pay off remarkably.

A layered, challenging fusion of genres.

Pub Date: Jan. 30, 2018

ISBN: 978-0-9965551-0-4

Page Count: 534

Publisher: Rigel Publishing

Review Posted Online: Dec. 19, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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