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NOW AND YESTERDAY

Greco has written a life-affirming yet melancholy, John O’Hara–like analysis of post-baby-boom-meets-millennial-queer Big...

Greco (Dreadnought, 2009, etc.) slides a slice of American gay culture under the literary microscope. 

Peter and Harold settled in Brooklyn in the 1970s, committed lovers, one with journalism ambitions, the other a poet. Then Harold died during the early days of the AIDS crisis. Peter forgot poetry and built a boutique ad agency, now gobbled up by a conglomerate, where he peddled "goods and services for a brave new world in which more people needed more things." With but one serious relationship post-Harold, Peter lives at the edge of loneliness. Greco believably sketches New York’s gay culture—the right parties, the right place for clothing, and who’s shtupping whom—while watching Peter redefine himself. "[S]till cursed by the lofty intellectual goals and high romantic intentions," Peter laments and dithers and becomes almost a less-interesting character than his friend Jonathan, a celebrated documentary filmmaker dying of prostate cancer. Greco delves artfully into Peter’s stumbling friendship-turned-romance with Will, a young California writer seeking prestige bylines, and lays it against his refusal to take up with rent boys: "[A]t last I can see how sex and love are this one, whole thing." A second narrative thread places Peter at a moral crossroads when his corporate bosses demand he cook up a campaign for a Glenn Beck–like demagogue. With his gift for observation and turns of phrase—"the remains of an intellectual enshrined in the urn of a glamorous career"—Greco offers a book about big ideas rather than action: ideas about gay life; about the depths and importance of friendship; about money and power; about the need for love and sex; and about a man’s moral relationship to who he is and what he does. 

Greco has written a life-affirming yet melancholy, John O’Hara–like analysis of post-baby-boom-meets-millennial-queer Big Apple society.

Pub Date: May 27, 2014

ISBN: 978-1-61773-060-3

Page Count: 464

Publisher: Kensington

Review Posted Online: April 2, 2014

Kirkus Reviews Issue: April 15, 2014

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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