Worthy tales that prove external forces are no more terrifying than what’s inside people’s heads.

NIGHTMARE'S EVE

Characters battle loneliness and unsettling occurrences in this assortment of otherworldly poems and stories.

In the opening tale, “A Deal in the Dark,” Jenny’s childhood fear of the dark has returned. But while an apparent presence may render her trepidation tangible, her real fear is more psychological: being alone. Provost’s (Memortality, 2017, etc.) vivid characters throughout are similarly tortured. Jenny only has her brother, Andy, because their parents are dead, and Alex in “Mama” is shaken by a pendulum’s prediction of his mother’s death. In the same vein, individuals secluded by bouts of insomnia and nightmares are desperate for help: Robert Delvecchio seeks a palm reader in “Breaking the Cycle,” and Alana responds to a neurologist’s Facebook ad in “Teeth.” There are occasional glimpses of creatures, and Provost sticks mostly with the classics: vampires, ghosts, aliens, and even dragons. But trekking familiar terrain allows the author to deftly subvert readers’ expectations. “Lamp Unto My Fate,” for example, features a genie, complete with the tried-and-true moral of being careful what you wish for. But protagonist Maximus, a litigator, and the newly freed genie treat the wish-giving as a business deal, prompting some fun “verbal sparring.” Other instances of humor crop up but never fully dominate the book’s grim tone. Such is the case for the titular character in “Nightmare’s Eve (Rotten Robbie’s Christmas Comeuppance)”; his mischievous ways are a clue that his encounter with Santa likely won’t turn out well. Provost’s poetry varies in rhyming schemes but skillfully displays the same somber themes as the stories. Isolation, for one, is depicted in illustrative lines, as in “Lost at Sea”: “The mast falls like a hammer / The deck, it cracks and splinters / The North Wind howls and taunts me / With the breath of countless winters.” Fortunately, not all of the tales are filled entirely with dread. Some, like the closing story, “George & the Dragon: The Untold Story,” have uplifting moments amid all that death and solitude.

Worthy tales that prove external forces are no more terrifying than what’s inside people’s heads.

Pub Date: Feb. 22, 2018

ISBN: 978-1-948594-04-2

Page Count: 266

Publisher: Black Raven Books

Review Posted Online: March 29, 2018

Kirkus Reviews Issue: May 15, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

HOME FRONT

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 19, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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