Worthy tales that prove external forces are no more terrifying than what’s inside people’s heads.
Characters battle loneliness and unsettling occurrences in this assortment of otherworldly poems and stories.
In the opening tale, “A Deal in the Dark,” Jenny’s childhood fear of the dark has returned. But while an apparent presence may render her trepidation tangible, her real fear is more psychological: being alone. Provost’s (Memortality, 2017, etc.) vivid characters throughout are similarly tortured. Jenny only has her brother, Andy, because their parents are dead, and Alex in “Mama” is shaken by a pendulum’s prediction of his mother’s death. In the same vein, individuals secluded by bouts of insomnia and nightmares are desperate for help: Robert Delvecchio seeks a palm reader in “Breaking the Cycle,” and Alana responds to a neurologist’s Facebook ad in “Teeth.” There are occasional glimpses of creatures, and Provost sticks mostly with the classics: vampires, ghosts, aliens, and even dragons. But trekking familiar terrain allows the author to deftly subvert readers’ expectations. “Lamp Unto My Fate,” for example, features a genie, complete with the tried-and-true moral of being careful what you wish for. But protagonist Maximus, a litigator, and the newly freed genie treat the wish-giving as a business deal, prompting some fun “verbal sparring.” Other instances of humor crop up but never fully dominate the book’s grim tone. Such is the case for the titular character in “Nightmare’s Eve (Rotten Robbie’s Christmas Comeuppance)”; his mischievous ways are a clue that his encounter with Santa likely won’t turn out well. Provost’s poetry varies in rhyming schemes but skillfully displays the same somber themes as the stories. Isolation, for one, is depicted in illustrative lines, as in “Lost at Sea”: “The mast falls like a hammer / The deck, it cracks and splinters / The North Wind howls and taunts me / With the breath of countless winters.” Fortunately, not all of the tales are filled entirely with dread. Some, like the closing story, “George & the Dragon: The Untold Story,” have uplifting moments amid all that death and solitude.
Worthy tales that prove external forces are no more terrifying than what’s inside people’s heads.Pub Date: Feb. 22, 2018
ISBN: 978-1-948594-04-2
Page Count: 266
Publisher: Black Raven Books
Review Posted Online: March 29, 2018
Kirkus Reviews Issue: May 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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