Despite a not-wholly-related narrative thread highlighting Mossad’s mad skills in frustrating Russian-Iranian anti-Israel...
In his latest Bob Lee Swagger adventure, Hunter (The Third Bullet, 2013, etc.) sends the indefatigable warrior into the Carpathian Mountains.
Swagger’s 68 now, retired to the Cascades, his sniper heroics in Vietnam and thereafter left to history books. When long-time friend and veteran reporter Kathy Reilly calls to question him about firearms, Swagger learns that she's investigating Ludmilla Petrova, a blonde beauty known as the White Witch, a World War II Russian sniper. Petrova, despite heroics at Stalingrad, Kursk and elsewhere, has disappeared from postwar records. Reilly’s curious. Swagger’s intrigued. He’s also willing to help, even if it means flying to Russia. With eight Swagger adventures on the books, Hunter knows his hero like a brother: righteous character firmly set, crafty intelligence thoroughly hidden, stone-cold willing to take the shot if a bad actor must die. Swagger and Reilly end up in Ukraine, thwarting evildoers ranging from an off-the-reservation U.S. clandestine operator to a mobbed-up anti-Semitic Russian oligarch with family connections to Nazi-sympathizing WWII double agents. In the Carpathian wilderness, Swagger’s sniper instinct helps Reilly uncover Petrova’s WWII exploits, from Kursk, where she went rogue during the massive tank battle, to tiny, isolated Yaremche, Ukraine, where she was sent on a suicide mission to kill an Obergruppenführer named Groedl. Swagger displays mighty tradecraft, employing a British Enfield sniper rifle secreted in a Carpathian Mountain cave since 1944. Hunter adds an exotic bad guy, Yusef Salid, SS-trained cousin of Jerusalem’s grand mufti, who leads Serbian Nazis into the killing fields, but Hunter doesn’t forget the "good Germans"—a decimated squad of paratroopers trying to do the right thing in spite of the "nutcase paperhanger from Austria."
Despite a not-wholly-related narrative thread highlighting Mossad’s mad skills in frustrating Russian-Iranian anti-Israel machinations, Hunter loads up a whole magazine of action, double-dealing and gun porn.Pub Date: May 20, 2014
ISBN: 978-1-4516-4021-2
Page Count: 432
Publisher: Simon & Schuster
Review Posted Online: April 16, 2014
Kirkus Reviews Issue: May 1, 2014
Classic Unger and a surefire hit with her followers.
Unger takes her loyal readers back to The Hollows, a creepy town about 100 miles from New York City, in this tale of love gone awry.
Ian Paine writes and illustrates graphic novels and has become quite a success. His series—Fatboy and Priss—chronicles the adventures of a nerdy outcast and his gorgeous, red-haired avenger, the amoral Priss, who makes certain that no slight to Fatboy goes unpunished. Originally from The Hollows, where otherworldly events are common, Ian was the original Fatboy. He led a miserable life after his mother lost her grip on reality and smothered his baby sister, then led him to the bathtub, perhaps planning to drown him. Escaping from his mom, Ian ran into the woods, where he met Priss, a strange child with red hair; as time passed, she became his only friend. Ian was the school joke, but with weight loss and artistic success, he eventually made a new life for himself in the city. Now he's fallen in love with a woman named Megan, and she's accepted his proposal of marriage. But when his editor tells him it’s time to kill off Fatboy and Priss and start another series, he finds that Priss, who has both haunted and defended him, isn’t going to go without a fight, and that fight can get very, very ugly. Though fans may wonder why, given its history, anyone would live in The Hollows, the big question for readers will be whether or not Priss is real or simply a manifestation of a disturbed young man’s imagination. Unger’s complex novel can at times get a little confusing, with the action constantly shifting from place to place and back and forth in time, but Unger knows what her fans like and scores another bull’s eye with this one.
Classic Unger and a surefire hit with her followers.Pub Date: Feb. 10, 2015
ISBN: 978-1-4516-9120-7
Page Count: 352
Publisher: N/A
Review Posted Online: Nov. 28, 2014
Kirkus Reviews Issue: Dec. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
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