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TURBULENT SOULS

A CATHOLIC SON'S RETURN TO HIS JEWISH FAMILY

A deeply affecting story of three people’s intense religious journeys: from Judaism to Roman Catholicism on the part of the author’s parents, and the reverse for Dubner himself. A writer and editor at the New York Times Magazine, Dubner traces the loneliness, loss, and estrangement that led his parents away from their second-generation inner-city Judaism to a particularly fervent Catholicism—and thus toward each other—in the years during and following WWII. Florence and Solomon Dubner raised the author and his seven siblings in near-poverty, but with much happy familial cohesiveness, on a small farm in upstate New York. There, “the Dubners lived in the District of Devotion that bordered on Fanatical.” Although Solomon’s father broke with him completely after his baptism, neither of Dubner’s parents had second thoughts about their conversion (although Sol in particular had some vestigial Jewish traits, including a love for gefilte fish and a penchant for singing “My Yiddishe Mama—). That their son reapproached and ultimately converted back to Judaism might be credited to “the cunning of history,— although Dubner’s encounters with an outspoken Jewish drama teacher and a close associate of the Lubavitcher Rebbe played a role. The latter part of Dubner’s memoir portrays his own journey as well as his investigations of who his father really was and why he might have converted, in addition to a genesis of the Dubner family tree (leading to a trip to Poland) and an account of his protracted attempts to get his mother to accord Judaism a measure of theological validity. Dubner writes reflectively and nontriumphantly of his own struggles to feel comfortable as a Jew and to resist the kind of religious absolutism and chauvinism that, as a adolescent and young adult, “nearly suffocated— him. His engrossing book will interest not only serious Jews and Catholics, but all whose lives have been torn by intrafamilial religions schisms. (Author tour)

Pub Date: Nov. 4, 1998

ISBN: 0-688-15180-9

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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