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DESPERATION

An astounding fall season for King unfolds with three new novels: the wind-up of his Signet paperback serial The Green Mile, and same-day dual publication of Desperation from Viking and The Regulators from Dutton (as Richard Bachman—see above). Desperation, while mystifying if read after The Regulators, is fabulous storytelling that avoids the slovenly glee that corrodes the grand fantasy of its mirror novel. The twin rulers of the dual novels are God the Cruel (Desperation), who speaks only to David Carver, a very well-spoken 11-year-old, and the Great God Television (The Regulators), a rotten god made visible through the mind of an autistic six-year-old, Seth Garon. The two books share characters but offer distinctly different spins on their personalities: The heroine of The Regulators is a big threat in Desperation. Also on hand in both are the evil entity Tak and the heroic but burnt-out novelist John Marinville, a recovering alcoholic. While speeding through empty Nevada spaces, Peter and Mary Jackson are stopped and arrested by a gigantic cop from nearby Desperation, a small mining town. At the jailhouse, the nutty robotic giant shoots Peter dead. Then the giant arrests Marinville, who is trying to recover his reputation by crossing the country on his motorcycle and writing a Steinbeckian Travels with Harley. The cop's body, we find, houses Tak, who constantly needs new bodies to live in because his superhuman heart batters them to pieces. He has already murdered the whole town and is now planning to house himself in the still-alive Audrey Wyler, a mining specialist who has been investigating the nearby China Shaft where "the unformed heart" of Tak bubbles evilly. Then into town rides Steve, whose heart is pure, in a Ryder truck . . . Knockout classic horror: King's most carefully crafted, well-groomed pages ever.

Pub Date: Sept. 24, 1996

ISBN: 0-670-86836-1

Page Count: 704

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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KING MIDAS AND THE GOLDEN TOUCH

PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-688-13165-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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