A collection of page-turning narratives for those who prefer the prolific tale spinner at his pulpiest.
Following an overstuffed feast of a novel (Under the Dome, 2009), King returns with four comparative snacks, each of which deals in some way with the darkest recesses of the human soul.
None of the narratives have previously been published, and all are apparently recent. The first, best and longest is “1922,” a richly detailed ghost story about a Nebraska farmer whose wife wants to sell land she’s inherited and move to the city, and how he enlists their 14-year-old son to conspire against her. He had been convinced that moving to the city would be hell, but discovers, as he tells himself, “You realize that you are in a hell of your own making, but you go on nevertheless. Because there is nothing else to do.” “Big Driver” concerns an implausible plot against an author speaking to a book club, and the toll her revenge takes on her, transforming her into a different person in the process. “Fair Extension,” the shortest, is a fable about a terminal cancer patient who experiences a miraculous remission following a transaction with the devilish Mr. Elvid. “A Good Marriage,” is, of course, a title dripping with irony, with a wife of more than 25 years discovering devastating secrets—a secret life! even a dual identity!—about her boringly predictable husband. Can things somehow go on as they have before? Or does she risk ruining her own life and those of their children by exposing her husband? "Does anybody really know anybody?" asks the story (rhetorically). Explains King in his “Afterword,” “From the start…I felt that the best fiction was both propulsive and assaultive. It gets in your face. Sometimes it shouts in your face.”
A collection of page-turning narratives for those who prefer the prolific tale spinner at his pulpiest.Pub Date: Nov. 1, 2010
ISBN: 143919260X
Page Count: 384
Publisher: Scribner
Review Posted Online: Aug. 19, 2010
Kirkus Reviews Issue: Sept. 15, 2010
Cheap fun: a guilty pleasure few monster-addicts will be able to resist.
A witty, grisly debut about the secret adventures of a Florida sociopath who murders only bad guys.
Dexter Morgan makes his living off the blood of the dead—literally. A “blood-splatter analyst” for the Miami Police Department, Dexter works only on the messiest cases, nearly all homicides and quite a few the work of serial killers. It takes one to know one, too, for Dexter has a very deep and well-guarded secret: He’s been bumping people off for years. Dexter knew from an early age that he was somehow different, and his father, Detective Harry Morgan, had picked up enough abnormal psychology on the job to recognize the signs. Harry tried to help Dexter out by suggesting that the boy might want to make a virtue of necessity by concentrating his murderous energies on the truly wicked people of the world—and Dexter agreed, beginning with the hospice nurse who was systematically overdosing Harry with morphine. From that day forward, Dexter (and his ghostly imaginary friend, the Dark Passenger) have done well by doing bad, disposing of a long line of pedophiles, killers, sadists, and thugs. A consummate professional, Dexter has never left a shred of incriminating evidence behind, but lately he’s begun to worry. A copycat killer is on the loose, leaving a string of victims strewn about the dark byways of Miami bearing the trademarks of Dexter’s handiwork in an obvious attempt to lure him out of hiding. Dexter can play his hand close to his chest, but unfortunately for him one of the cops assigned to the new cases is his sister Deborah, who knows nothing of Dexter’s extracurricular activities. Part of Dexter wants to come of the cold and play with this new guy on the block, but he feels an obligation to keep his sister from being implicated. It’s not just thieves, after all: There’s honor among murderers, too.
Cheap fun: a guilty pleasure few monster-addicts will be able to resist.Pub Date: July 27, 2004
ISBN: 0-385-51123-X
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
Striking a far less hysterical tone than in The Shining, King has written his most sweeping horror novel in The Stand, though it may lack the spinal jingles of Salem's Lot. In part this is because The Stand, with its flow of hundreds of brand-name products, is a kind of inventory of American culture. "Superflu" has hit the U.S. and the world, rapidly wiping out the whole of civilization—excepting the one-half of one percent who are immune. Superflu is a virus with a shifting antigen base; that is, it can kill every type of antibody the human organism can muster against it. Immunity seems to be a gift from God—or the Devil. The Devil himself has become embodied in a clairvoyant called Randall Flagg, a phantom-y fellow who walks highways and is known variously as "the dark man" or "the Walking Dude" and who has set up a new empire in Las Vegas where he rules by fear, his hair giving off sparks while he floats in the lotus position. He is very angry because the immune folks in the Free Zone up at Boulder have sent a small force against him; they get their message from Him (God) through a dying black crone named Abigail, who is also clairvoyant. There are only four in this Boulder crew, led by Stu Redman from East Texas, who is in love with pregnant Fran back in the Free Zone. Good and Evil come to an atomic clash at the climax, the Book of Revelations working itself out rather too explicitly. But more importantly, there are memorable scenes of the superflu spreading hideously, Fifth Avenue choked with dead cars, Flagg's minions putting up fresh lightbulbs all over Vegas. . . . Some King fans will be put off by the pretensions here; most will embrace them along with the earthier chilis.
Pub Date: Nov. 3, 1978
ISBN: 0307743683
Page Count: 1450
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Nov. 1, 1978
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
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