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THE DRAWING OF THE THREE (THE DARK TOWER, BOOK 2)

Hot on the heels of The Gunslinger (1988) comes the second volume of King's gargantuan alternate-universe omnibus. And not a moment too soon: readers who slogged, downcast, through the murky first installment will find here a brighter, friskier, much more involving read as Roland the Gunslinger takes his quest for the Dark Tower into our world and time. Last seen, Roland sat at the edge of a giant sea, knowing that to achieve the Dark Tower—the hub of creation—he'll need to collect three people: The Prisoner, The Lady of Shadows, and Death. How? By stepping through three doors that protrude from the endless coastline, thus walking into the minds of three citizens of 20th-century N.Y.C. Before Roland opens the first door, however, he's roamed by a "lobstrosity," a claw-snapping sea critter whose bite spins him into a near-fatal fever. So it's a weak and desperate Roland that steps into door #1 and into the heroin-addled mind of punk crook Eddie Dean—The Prisoner—about to be busted for carrying two pounds of coke through customs at Kennedy Airport. Since Roland needs to cohabit Eddie's body to find medicine for his fever, he talks the addict through customs and a subsequent confrontation with Eddie's vicious mob-boss—and then, penicillin in hand, drags the addict back into Gunslinger-world, where the two bond as Roland heals while Eddie withdraws. Up pops door #2: The Lady of Shadows turns out to be a crippled, beautiful, Jekyll-and-Hyde black woman; Eddie falls in love with Jekyll but crazed, murderous Hyde nearly kills both Eddie and Roland before the Gunslinger merges the two personalities into a third, Susannah. Behind door #3, Roland finds Death—who turns out to be a psycho killer, and then, in a typical King turn of poetic justice, Roland himself. Prime King, very suspenseful and often quite tunny during Roland's stranger-in-a-strange-land forays into Gotham, with psychologically dense characters, reams of virtuoso horror writing, and little of the sophomoric portentousness of the early volume (which King began in college; this volume was penned recently). In an afterword, King previews volumes 3 and 4: an epic in the making, and, if the quality of this one sustains, a series to be savored as it grows.

Pub Date: March 1, 1989

ISBN: 0451210859

Page Count: 320

Publisher: New American Library

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Feb. 15, 1989

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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