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THE CONNECTIVITY PRINCIPLE

HEALING THE WOUNDS OF SEPARATION

Absorbing advice for revising one’s life and integrating it with others’.

Buddhist minister and author Long (Dharma and the Metta Map, 2012, etc.) shares steps for achieving connections with other living things.

Humankind, the author posits, has drifted away from a paradigm of connectivity to one of separation, so in this book, he advocates for finding ways to be more connected in one’s work, life, and home. His theory of “connectivity” says that every living being is linked by a common energy, and that honoring that connection is important to the future of the planet. Long quotes philosopher Ervin Laszlo: “We live in a crucial epoch—an epoch of instability and change….We could go down in chaos and catastrophe, or pull ourselves up by our bootstraps to a peaceful and sustainable world.” The text is divided into three parts: “A View of Two Worlds,” “A Bridge,” and “A Sea of Rules.” The first provides the intellectual underpinnings of Long’s beliefs. The second offers techniques for bridging the gap between separation and connection with others; primary among these is meditation, a cornerstone of Buddhism, but he also includes chapters on self-inquiry, service, and love and gratitude. “A Sea of Rules,” the final part, focuses on family, community, and business relationships, and well as one’s relationship with technology—a very important aspect of living in the 21st century. The text is quite dense and requires sustained concentration; it’s enriched with charts and diagrams, although some are difficult to read, due to their small size. Interspersed throughout the book are quotes from prominent thinkers, such as the Rev. Martin Luther King Jr. and Mohandas Gandhi, which add value to the work; particularly notable are Gandhi’s “seven social sins” at the beginning of the chapter on business relationships, with which many readers will be unfamiliar. Long initially wrote the book in 2015, but revised it after the 2016 presidential election; although he avoids overt politicizing, some well-aimed barbs are unmistakable: “To build a wall or open our borders...to View the world as ‘Us’ vs. ‘Them’ or see it as home to everyone...these are the choices we face every day, both individually and collectively.”

Absorbing advice for revising one’s life and integrating it with others’.

Pub Date: Aug. 18, 2017

ISBN: 978-1-5069-0472-6

Page Count: 282

Publisher: First Edition Design Publishing

Review Posted Online: Nov. 28, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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