Despite evocative prose throughout, this morality tale never achieves dramatic lift-off.
Iowa City resident Lovely’s first novel is an overwrought, often excruciating exploration of the ironies unleashed by a young woman’s decision to donate her organs.
Isabel, a botanist, is riding her bike up a hill on a blustery Iowa spring day. At the crest, a gust forces her into the wrong lane, just in time to collide head-on with a pickup truck driven by Jasper, an aspiring blues guitarist and all around ne’er-do-well. As Isabel lies brain-dead in the hospital, her organs are harvested as her mother, Bernice, and husband, Alex, keep horrified vigil. In Chicago, Janet, whose myopathic heart is failing, is the designated recipient of Isabel’s heart. A year after Isabel’s death, Alex’s grief is still raw, but he’s comforted by his kinship with Bernice. He’s disturbed when Janet’s thank-you notes become outright demands for friendship. Bernice, whose closeness to Alex is threatened by a new girlfriend, welcomes chatty e-mails from Janet’s mother Lotta. Post-transplant, Janet returns to teaching troubled youth, while coping with her two boisterous children. Her workaholic lawyer husband David, who lacks caregiving genes, withdraws. Jasper, whose characterization is the most problematic in the novel, morphs from feckless screw-up—he’s underemployed and underappreciated at Best Buy—to a stalker who’s bent on forcing Alex, Bernice and Janet to acknowledge his “role” in the heart donation. Although acquitted at trial, Jasper, sole surviving witness to the accident, withheld one piece of crucial incriminating evidence—he was driving while dialing. In the sections devoted to Jasper, the writer’s contempt for him is palpable. Because he killed Isabel he’s already the obvious villain—the more daunting challenge, ducked here, was to make him an identifiably flawed human. In the absence of a plot, the action is driven largely by Alex’s ruminations, many voiced in long stretches of eloquent but repetitive speechifying.
Despite evocative prose throughout, this morality tale never achieves dramatic lift-off.Pub Date: Feb. 3, 2009
ISBN: 978-1-4013-2282-3
Page Count: 352
Publisher: Voice/Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2008
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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