by Stephen Michael King ; illustrated by Stephen Michael King ‧ RELEASE DATE: April 6, 2021
An uplifting story with amiable verve.
A three-legged dog goes on a journey of discovery.
Three the dog lives homeless in a city. But Three doesn’t consider his life wanting. The sun warms him; he feels clean when it rains on him; he is even thankful that he doesn’t have four legs, because the things with four legs he’s aware of (chairs) don’t move and get sat on by those with two legs (humans). This is another trait of Three’s: He pays great attention to the number of legs of all the creatures around him. He’s happy “six legs” (ants) have an underground home to go to and that an ”eight legs” (spider) is high out of reach of harm. One day, Three wanders far out of the city into the country, where he meets Fern, a little-girl two legs, who shares his independent spirit as well as her cookies and milk. Fern introduces Three to many other various-legged creatures in her garden—and to her single mother and little brother. The happy ending isn’t in doubt; what gives the story its propulsion is Three’s very doggy, glass-half-full attitude that a creature’s number of legs is simply an interesting feature (an attitude that may come more easily to a quadruped than a biped). The loose-sketch–style illustrations filled with relaxed washes of color visually underscore Three’s positive approach to life. Racially diverse humans are illustrated; Fern and her family present White.
An uplifting story with amiable verve. (Picture book. 3-7)Pub Date: April 6, 2021
ISBN: 978-0-8234-4923-1
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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