by Stephen R. Platt ‧ RELEASE DATE: May 15, 2018
A fluent, well-written exercise in revisionism, one of interest to students of modern geopolitics as well as 19th-century...
A deeply researched study of an early clash of civilizations, when England attempted to impose its will on East Asia.
The Opium War of 1839 began, in at least one sense, a half-century earlier, when a British adventurer attracted enough attention after wandering around in the country to give the imperial Chinese government a solid case that it didn’t want outsiders to enter the realm. After a period of imprisonment, writes Platt (Chinese History/Univ. of Massachusetts, Amherst; Autumn in the Heavenly Kingdom: China, the West, and the Epic Story of the Taiping Civil War, 2012, etc.), the traveler returned to England, where he taught an American named Benjamin Franklin how to make tofu. After that comparatively pleasant interlude, things took a martial turn; Britain and France sent competing fleets, and Asia beckoned to every European imperial power. China tried to fend them off, with the governor general of Macao, for instance, closing off access to food and water to foreign fleets. While the emperor accepted gifts from the king of England, he did not welcome commerce: “If the king would just tend to the boundaries of his own empire…and feel ‘dutiful submission’ within his own heart, there would be no need for a British mission ever to come to China again.” The British did come, demanding that China open its markets for the sale of illegal opium. As the author notes, it’s not as if there was no demand for the product—Chinese students used it to stay sharp for their exams, and “for those in more humble situations who couldn’t afford to smoke it themselves, employment in the opium trade still provided a chance for income as couriers and petty dealers.” British victory opened the door to concessions to other European powers and, in time, brought down the Qing monarchy, which ushered in the modern, communist China—surely a lesson in unintended consequences.
A fluent, well-written exercise in revisionism, one of interest to students of modern geopolitics as well as 19th-century history.Pub Date: May 15, 2018
ISBN: 978-0-307-96173-0
Page Count: 592
Publisher: Knopf
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
HISTORY | MODERN | MILITARY | WORLD | GENERAL HISTORY
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by Larry Gonick ‧ RELEASE DATE: Oct. 1, 1994
Imagine a collaboration between Arnold Toynbee and R. Crumb and you get a pretty good idea of Gonick's clever and ambitious comic book series. This volume should not be taken as some kind of Mel Brooksish joke. Gonick does his research and interprets his sources with scholarly care. Inspired by the educational comic books of Latin American artist RIUS, Gonick makes world history a blast— literally, with his predilection for onomatopoeic word balloons. In this second collection—the last left us with Alexander the Great schlepping toward Persia—Gonick takes us on a side tour through India and China. He integrates myth and history to establish the origins of sectarian conflict in India, and attends to migration patterns from the Middle East to China in order to explain the development of Buddhism and Confucianism. Dynamic intrigue and the threat of northern barbarians compete with periods of prolonged peace. This highly selective version of Chinese history, though full of diverting stories, will be a bit confusing to readers unfamiliar with the main players. Back in Rome, meanwhile, after the death of Alexander, the republic enters its period of glory, followed by the building of the empire. Problems of succession lead to lots of lurid anecdotes about perverse and insatiable emperors, violent entertainments, brutal conquests—all of which Gonick records with Mad-like irreverence. He equivocates, however, in telling the story of Jesus, ending up with an uneasy mix of canonical fact and outright heresy. His account of the historical rise of Christianity is superb and demonstrates an interesting parallel with China: In both cases alien cults from the edge of the empires eventually captured the capital cities. Gonick's humor is mostly visual and relies on the juxtaposition of comical images with his relatively sober text. Despite his lefty, multi-culty inclinations, Gonick maintains the high level of sophistication, skepticism, and just plain fun established by the first volume.
Pub Date: Oct. 1, 1994
ISBN: 0-385-42093-5
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
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by Brian Moynahan ‧ RELEASE DATE: Sept. 29, 1994
A spectacular, startling, and sometimes downright grisly chronicle, in words and pictures, of a bloody and tumultuous period. Alongside a stunning battery of photographs scoured from archives and collections throughout the former Soviet empire, the vast majority of them unfamiliar, Moynahan (Comrades, 1992) unfolds a history short on depth but told in crisp, imagistic (not to say strongly opinionated) prose. To his great credit, he persistently strives to include not only the obvious historical milestones— wars, revolutions, terror, famine, and the like (every horseman of the apocalypse gallops across the tortured steppes)—but also some sense of the evolving everyday sensory and emotional realities of Russian life under czar, dictator, and infant democracy. In this, he's not only immeasurably aided but inevitably outshone by the pageant of superbly reproduced photographs to which every reader will be immediately drawn and which, highlighting the human figure at the expense of landscape, run the gamut from imperial family portraits and staged Party propaganda scenes to snatched samizdat documents of ghetto and gulag, to the innovative high art of Rodchenko. Behind the familiar official faces of the masters- -Rasputin's manic stare, Trotsky's compelling gaze, Stalin's sly squint, Yeltsin's pugnacious querulousness—and the distortions of official history, both amply evidenced here, the photos unearth a vast parade of their nameless subjects (and, more often then not, victims)—``ordinary'' workers, peasants, soldiers, priests, shopkeepers. Too often it's a gallery of the unquiet dead: These pages are as corpse-strewn as the history they record—slain in purges, pogroms, insurrections, invasions, by starvation or single bullet, piled high by roadsides, dumped into mass graves, even, most shockingly and indelibly, filleted on the dining table of famine-stricken peasants driven to cannibalism. No mere coffee-table ornament, but a historical document of great drama and unusual intensity.
Pub Date: Sept. 29, 1994
ISBN: 0-679-42075-4
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
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