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The Mothersea

Everything a great sci-fi novel should be: visionary, immersive, and thematically profound.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2016

Renneberg’s (In Earth’s Service, 2015, etc.) stellar sci-fi sequel to 2013’s The Mothership tells a story of alien contact and conflict and serves as a prequel of sorts to his epic Mapped Space series.

Ten years have passed since aliens inhabiting a massive mother ship crash-landed in a remote area of Australia; there, they were covertly defeated and all traces of their existence were removed. But when a trawler mysteriously disappears and native communities in the area begin vanishing en masse, American Col. Robert Beckman, who heads an elite team specializing in alien contact operating out of Area 51, is sent to investigate. He quickly realizes a chilling truth: the amphibious aliens have not only survived, but have been reproducing and acquiring knowledge of humankind for the last decade at an astonishing rate. With the looming extinction of humankind very much a possibility, Beckman and company must find a way to eradicate a vastly advanced and highly aggressive alien force without annihilating themselves in the process. Renneberg manages to integrate a massive back story into the main plot almost effortlessly, powering his grand-scale storytelling with meticulous description and relentless pacing. The brilliance of the story, though, is in the way the author develops the overarching storyline with intimate character stories, like those of Beckman and the alien matriarch, Beloved-of-the-Sea. By exploring the alien leader’s point of view with understanding, Renneberg manages to sidestep genre clichés to create a tale that feels new and original. Discerning sci-fi fans will find this novel, which can be read as a stand-alone, to be immensely satisfying.

Everything a great sci-fi novel should be: visionary, immersive, and thematically profound.

Pub Date: Sept. 7, 2016

ISBN: 978-0-9941840-3-0

Page Count: 280

Publisher: CreateSpace

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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