Vast-scale space-opera/combat adventure ably handled by a genre master and commander.

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THE WARRIOR WORLDS

From the Mapped Space series , Vol. 5

In this fifth installment of a far-future SF series, a well-connected Earth Intelligence Service agent gets tested to the limits of his resources when a vicious alien empire launches an invasion of Earth.

The setting is the year 4608. Sirius Kade, Renneberg’s recurring hero and first-person narrator, is a top Earth Intelligence agent, once masquerading as a humble merchant. Now, he’s no longer an undercover operative because of his Forrest Gump–like tendency to be at the center of all the action in intergalactic intrigue and warfare between numerous, highly advanced alien cultures and races. (Sirius also happens to be the brother of a prominent space pirate.) After having finally revealed his hidden life to his true love, Marie, Sirius is enjoying a vacation idyll in the French Alps, where he plans to propose. Then, a long-awaited catastrophe erupts. Earth is invaded in a blitzkrieg action by the series’ primary menace, the Spawn, a pitiless, amphibian-style race whose robotic soldiers and invulnerable, armored ships are paving their way to conquering the cosmos. Earth is the latest Spawn beachhead to be easily defeated, and Sirius, one of the alien empire’s most wanted enemies, sacrifices his freedom to keep Marie safe. How can he (and the planet) get out of this jam? These momentous events occur in the opening chapters. Renneberg’s skillful prose then sends readers on fairly breathless leaps from one prison planet hell world or hopelessly outmatched/outgunned combat scenario to another. This rousing tale is for readers who may have complained that Star Wars did not have enough star wars. But there is actually intriguing intellectual content (and breathing space) in these pages, as some beings in the supporting cast argue for a more enlightened path and claim that even the ravenous Spawn are not beyond redemption. The characters hit proper larger-than-life notes (though Sirius is a bit of a standard smart/tough guy). A relatively minor complaint is that the author’s deliriously variegated ensemble of outer-space creatures and civilizations often boil down to anthropomorphized versions of recognizable Earth fauna (snakes, pongids, beetles), bringing along their associated personalities and characteristics. But none of that should stop fans turning the pages at rates approaching luminal speed.

Vast-scale space-opera/combat adventure ably handled by a genre master and commander.

Pub Date: N/A

ISBN: 978-0-9941840-8-5

Page Count: 467

Publisher: Self

Review Posted Online: April 19, 2022

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Twisty, thrilling, and beautifully written.

THE FERRYMAN

Things aren't what they seem in the supposedly idyllic state of Prospera.

Cronin’s latest takes place in Prospera, an archipelago state that “exists in splendid isolation, hidden from the world.” The main island is designed to be something of a paradise, “free of all want and distraction,” where residents are urged to pursue art and personal betterment. The Annex, another island, is “home to the support staff—men and women of lesser biological and social endowments.” Proctor Bennett lives on the main island and works as a “ferryman”—when his fellow residents become older or infirm, he escorts them to a boat that will carry them to the “Nursery Isle,” where they are reborn as teenagers who will then rejoin Prospera. One day, Proctor learns that the next person he’s in charge of ferrying is his father, and it turns out the old man doesn’t go quietly—on the way to the pier, he begins muttering seemingly incomprehensible phrases, telling his son, “The world is not the world,” and “You’re not...you.” Then things get even more complicated: Proctor meets art dealer Thea, who’s tight with a group of dissatisfied Annex residents, and then he gets fired from his job, which leads him to believe Prospera might not be everything he’s thought it was. He’s also trying to navigate his increasingly rocky marriage to Elise, a fashion designer whose mother, Callista, is the chair of the Board of Overseers for All Prospera—“the boss of everything.” The twists in this novel are plentiful and authentically surprising, and although there are tons of moving parts, Cronin does a wonderful job handling them. This is a dystopian novel that doubles as a detective story, and Proctor is an appealing protagonist, semi-hard-boiled but never descending into cliché. Cronin’s prose is solid, and he handles the dialogue, sometimes leavened with humor, expertly. It’s a hefty book that moves with an astounding quickness—yet another excellent offering from an author with a boundless imagination and talent to spare.

Twisty, thrilling, and beautifully written.

Pub Date: May 2, 2023

ISBN: 9780525619475

Page Count: 560

Publisher: Ballantine

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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