by Stephen A. Sheller Sidney D. Kirkpatrick ‧ RELEASE DATE: Sept. 21, 2016
An unsettling, illuminating, and provocative discussion of a pressing political issue involving drug companies.
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A book offers a critique of the pharmaceutical industry from a lawyer who battled it.
The currently contentious debate over health care has drawn the public’s attention to the pharmaceutical industry, a multibillion-dollar market that wields considerable influence over the political and medical communities. Sheller (Lawyering in Times of Saints and Evil Doers, 2015), an attorney with nearly a half-century of professional experience, spent a good deal of his career exposing big pharma’s more nefarious practices in court. For example, Eli Lilly marketed its “Prozac Weekly” pill by sending samples directly to candidate consumers, many of whom did not have a prescription for the drug, by accessing confidential medical information. Johnson & Johnson marketed Risperdal, a dangerous antipsychotic drug, to children with attention deficit disorder, some of whom were physically disfigured as a result. AstraZeneca illegally compensated physicians for prescribing Seroquel, another antipsychotic drug, which the company considered marketing with cartoon characters inspired by Winnie the Pooh. Time and again, Sheller uncovered a pattern of behavior that prioritized profit over consumer safety, facilitated by a collusion among politicians, regulatory agencies, medical professionals, and pharmaceutical companies, leaving the public woefully vulnerable. Sheller and Kirkpatrick’s (True Tales from the Edgar Cayce Archives, 2015, etc.) book does double duty: it’s a research study of the pharmaceutical industry’s misdeeds and a memoir recounting Sheller’s legal combat with the biggest offenders. His cases relied heavily on the testimony of whistleblowers, who are often too intimidated by the fear of reprisal to come forward. The work ends with a catalog of sensible policy fixes, which include the Food and Drug Administration’s dramatic overhaul and the establishment of independent clinical trials for experimental drugs. Despite Sheller’s many courtroom triumphs, he concludes on a less than sanguine note: “However much I would like to celebrate, I can’t claim victory. Newer and potentially more lethal pharmaceuticals enter the market each month, and the corporate titans with whom I do battle become ever more powerful and cunning.” The first chapter, which ultimately connects the voter fraud in the 2000 presidential election to a slackening of restrictions on big pharma, is far too digressive and lingers too long on the minutiae of that particular legal contest. But the remainder of the book furnishes relentlessly meticulous analysis, producing an impressive marriage of investigative journalism, legal scholarship, and public policy.
An unsettling, illuminating, and provocative discussion of a pressing political issue involving drug companies.Pub Date: Sept. 21, 2016
ISBN: 978-0-615-89316-7
Page Count: 204
Publisher: Cape Cedar Media
Review Posted Online: Nov. 4, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Review Program: Kirkus Indie
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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