Most of Alan’s cases are thrillers, but despite several homicides here, the leading threat facing the hero is whether he’ll...
Boulder psychotherapist Alan Gregory takes time off from a practice that includes more than its share of killers (Dry Ice, 2007, etc.) to hunt down several vanished babies and their mothers.
The morning after six campers met Estonian cafeteria cook Jaana Peet on the floor of the Grand Canyon, she disappeared from her companion, Nick Paulson, without a trace. Years later, two of the six turn up in Alan’s life courtesy of his ex-wife Merideth. A hard-charging TV newsmagazine producer, Merideth has had several miscarriages. Determined to become a mother, she’s hired Lisa, one of the campers who left the Canyon without searching for the missing Jaana, as surrogate mother to carry a child to term for Merideth and her fiancé, political consultant Eric Leffler, another of the campers who hiked out instead of looking for Jaana. Now that Lisa has gone missing from her New York apartment, Merideth insists that Alan help find her and her unborn child. Alan’s ever-complicated domestic life makes him the perfect candidate for Merideth’s plan, since he’s already in Manhattan acting as a lifeline for Jonas, the child Alan’s late friend Adrienne commended to his care. Alan can’t expect any help from his wife, Boulder ADA Lauren Crowder, who’s off in Holland seeking to trace an out-of-wedlock daughter she gave up for adoption many years before. Several of the tangled plotlines eventually bear fruit, but not nearly enough to justify their number, complexity or lack of interrelation.
Most of Alan’s cases are thrillers, but despite several homicides here, the leading threat facing the hero is whether he’ll sleep with any of the attractive women who seem determined to throw themselves at him—and whether he’ll ever be able, as therapists say, to move on with his life.Pub Date: March 1, 2008
ISBN: 978-0-525-96006-6
Page Count: 368
Publisher: Dutton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2008
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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