MANNER OF DEATH

Dr. Alan Gregory, the Boulder psychologist whose previous six cases (Critical Conditions, p. 80, etc.) have all introduced him to murderers, becomes a killer’s target himself. The news comes when Gregory travels to Denver for his old school acquaintance Dr. Arnold Dresser’s funeral. A pair of retired FBI agents hired by Dresser’s mother lay out an elaborate pattern of accidents stretching back ten years, all involving members of the 1982 Orange Unit on Eight East of the University of Colorado’s Health Sciences Center. Long before Dresser froze to death after a mountain-climbing accident, Gregory’s supervising psychiatrist died in a plane crash; his fellow residents have fallen victim to malfunctioning tanning beds, disappeared from cruise ships, and been slain in drive-by shootings. And now, the ex-Feebies tell him, it’s his turn, since he and Dr. Sawyer Sackett Faire are the only surviving alumni of the 1982 Orange Unit. Gregory’s terror is mixed with guilt and fascination, since he can’t forget the torrid affair he and the beautiful, unapproachable Sawyer carried on during their residency. Now, when he does see her again, after replaying his memories of their earlier romance in unsparing detail, he—ll not only be able (under the direst possible circumstances) to get naked with her once more but will even find out secrets she was carrying around 17 years ago, though not before the killer booby-traps the renovation at Gregory’s house, tampers with his furnace, and sends his wife, ADA Lauren Crowder, and their dog to the hospital. The murderer, Gregory feverishly realizes, could be anybody connected with Eight East—the ex-patient reborn as a CNN anchor, the chess-playing schizophrenic Gregory was forced to release, the man who offered to trade the identity of real-life airplane hijacker D.B. Cooper for his ticket off the floor—and that wide set of choices is just the problem with this action-filled, unfocused suspenser. White is so good at pumping up menace that some readers will forgive the loose ends and high-energy, low-rationality windup. Not all of them, though.

Pub Date: Jan. 11, 1999

ISBN: 0-525-94440-0

Page Count: 368

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1998

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.

PRETTY AS A PICTURE

Murder and mayhem plague a film set on a secluded island off the coast of Delaware in Little’s (Dear Daughter, 2015, etc.) sophomore thriller.

When film editor Marissa Dahl takes a job on a new film directed by the talented but temperamental Tony Rees, she’s not given a script and must sign a mile-long nondisclosure agreement. It’s not ideal, but she needs the work. Escorted by an attractive ex–Navy SEAL named Isaiah, Marissa arrives on Kickout Island to find a bustling set, headquartered at a beautiful hotel, that is cloaked in secrecy and beset with dysfunction. Once Marissa gets down to work, she realizes that picking up the slack from the previous editor, who was fired for unknown reasons, won’t be smooth sailing and that the movie is based on the real-life unsolved murder of aspiring actress Caitlyn Kelly 25 years ago on that very island. Most folks assume that an eccentric ferry captain named Billy Lyle, a friend of Caitlyn’s, was the killer, but there was never enough evidence to convict. A few people, however, think he may be innocent. Marissa sets out to discover what really happened to Caitlyn with the help of Isaiah and two intrepid, tech-savvy 13-year-olds—Grace Portillo and Suzy Koh, whose parents work for the hotel. What she finds is a dead body and a whole lot of trouble. Readers fascinated with the behind-the-scenes machinations of a movie set will be enthralled, plus there’s a frisson of romantic tension between Isaiah and Marissa, and the island setting lends some spooky atmosphere. Snippets from Grace and Suzy’s true-crime podcast, Dead Ringer, are also sprinkled throughout. Though a killer on the loose adds a fair bit of urgency in the second half, the main focus is on Little’s singular narrator. Marissa relates to the world primarily through film and considers herself anything but typical: “It’s possible I’ve spent so much time watching movies that the language of film has infiltrated some primal, necessary part of my brain. I catch myself processing my own emotions in scenes, in shots, in dialogue.”

A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.

Pub Date: Feb. 25, 2020

ISBN: 978-0-670-01639-6

Page Count: 352

Publisher: Viking

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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