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DRAGON LADY

THE LIFE AND LEGEND OF THE LAST EMPRESS OF CHINA

Spectacularly told debunking of myth and legend surrounding China's last empress—the Dowager Empress Tzu Hsi (1835-1908)—by Seagrave (The Marcos Dynasty, 1988, etc.). Born the obscure daughter of an obscure Manchu officer in 1835, Tzu's notorious ride to fame and power began in the imperial concubinage in 1856, when she gave birth to a boy heir. Seagrave's aim here is primarily to destroy longstanding myths about this most powerful of Chinese women, myths created by Western imperialist adventurers of pen and sword who painted her as the Wicked Witch of the East. The author's primary target and culprit is the infamous British literary agent Edmund Backhouse. Living in China at the turn of the century, Backhouse apparently culled gossip and rumor and fabricated evidence in order to coauthor, with J.O.P. Bland, the influential 1910 book China Under the Dowager Empress—which, according to Seagrave, presented a ``bloodthirsty caricature'' of Tzu that mixed ``Western fantasy and Chinese pornography.'' Backhouse reported that Tzu's ascent to power included killing off enemies with poisoned cakes, keeping hordes of false eunuchs close at hand, and choreographing wild sexual escapades in the Imperial Palace—escapades to which Backhouse claimed invitation. Seagrave relies partly on Hugh Trevor-Roper's Hermit of Peking (1974) to expose Backhouse as a prurient fraud who willfully set out to create a fictitious empress who would satiate Western stereotypes of sex-starved Asian women and justify British adventuring inside China. Seagrave also exposes other Western writers—including Pearl Buck—who perpetuated Backhouse's seamy portrait. An engrossing, fact-filled read and masterful debunking of a troubling distortion of Chinese history. (Sixteen pages of illustrations—not seen.)

Pub Date: April 30, 1992

ISBN: 0-679-40230-6

Page Count: 480

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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