An impressive collection brimming with originality.
Editor Berman (Wilde Stories 2012, etc.) compiles an eerie, moving volume of gay-themed speculative fiction.
The various authors anthologized here write on different subjects ranging from a gay, humanoid cephalopod couple to a man tormented by the dead after his lover’s suicide. Despite the disparities, the collection comes together as a remarkably coherent whole, and none of the characters’ queer identities outweigh the telling of the tales. Furthermore, much of the work edges toward magical realism rather than standard sci-fi or fantasy. Several stories, such as Ray Cluley’s “Night Fishing” and John Langan’s “Renfrew’s Course,” are hauntingly sad; others, like Steve Vernon’s “Wetside Story” and Hal Duncan’s “Sic Him, Hellhound! Kill! Kill!” are comic romps with a side of the supernatural. In Duncan’s story, a visceral werewolf feels devotion and bloodlust with equal depth, while in Cluley’s story, Terrence, a fisherman of sorts, is inexorably pulled to the area around the Golden Gate Bridge, where his young lover had previously jumped. Every night, Terrence pulls strangely animate corpses from the water and follows their directions toward others of their kind. Cluley’s emotionally demanding story beautifully explores grief, love and ultimately futile efforts to save the dead. Berman expertly blends them, creating a work whose overall effect is entrancing, not depressing. Berman writes in his introduction, “Even in 2012, when it is far easier for two men to meet, to dine out, to hold hands, to dare kiss in public, to announce to open public their love or their parting…there are dangers. Men are still silenced. Men perish.” The stories’ occasionally horrific and fantastic bent adeptly conveys this danger as well as its daring.
An impressive collection brimming with originality.Pub Date: June 15, 2013
ISBN: 978-1590211311
Page Count: 274
Publisher: Lethe Press
Review Posted Online: April 19, 2013
Kirkus Reviews Issue: May 15, 2013
Review Program: Kirkus Indie
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Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
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