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Best Gay Stories 2013

A fine showcase of emerging and small-press authors.

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The latest edition of the yearly anthology series offers a vivid cross section of contemporary gay life.

Though its title is something of a misnomer—The Best Gay Small Press Stories might be more fitting—this collection, edited by Berman, doesn’t suffer for its conspicuous absence of today’s most famous gay writers. Its 20 stories (most of them fiction, with a few autobiographical pieces included) examine multiple generations of gay experience. Ameen’s “Irrespective of the Storm,” for instance, chronicles his arrival in New York City in 1978, nodding to a subterranean sexual culture almost unrecognizable today, while several of the stories grapple with the meaning of commitment in the modern age of Internet sex. Though the complexity of desire might not be the most surprising thematic throughline for an anthology of gay writing, the collection succeeds precisely due to the fact that the stories are complicated, populated with believable, imperfect characters and plenty of ethical gray areas. If desire is one of the collection’s primary concerns, another dominating interest is capturing varied moments in gay men’s lives. Jones’ searing “Boy, A History” follows a character known only as Boy throughout his sexual awakening in a hostile environment. Other contributors tell stories of young love and long-term relationships turned tepid, middle-aged anxiety and elderly isolation. Though the book’s no less enjoyable for it, the anthology’s scope can feel narrow at times, with the majority of its stories taking place in familiar urban gay settings and most of its characters of an educated, well-cultured set. But the book does succeed in representing a wide range of voices—though there’s nothing approaching experimental here—and the result is a compellingly diverse reading experience: strong writing throughout, with each story distinct from the next. While this collection’s nuanced depictions of gay men today will surely attract gay readers, the quality of its stories transcends niche interest.

A fine showcase of emerging and small-press authors.

Pub Date: June 1, 2013

ISBN: 978-1590211526

Page Count: 267

Publisher: Lethe Press

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: May 15, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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