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A PERFECT MESS

A spirited way to explore both causality and not-so-clean fun.

Henry tries his hardest to stay clean for a special day at school.

Henry, a boisterous, young rhinoceros, is very, very messy. Within the first two minutes of every day he is instantly covered in jelly stains and mud splatters. He just can’t help it. But one day, Henry sets out to stay clean. For the entire day. He eats only white food, jumps over every puddle, and sits in the back of the room during art class, far away from any paint. Henry is achieving his goal, but his classmates aren’t so lucky. Every time Henry narrowly misses a mess, he causes others to get dirty. That mud puddle that he jumped? It splashes his friend, the raccoon, instead. The jelly doughnut he avoided? It squirts onto his pal, the panda. Henry’s careful watch over his clumsiness has assured that he remains spotless, but his friends—and even his teacher—end up covered in grime, all because of him. And why was Henry trying so hard to stay clean in the first place? Because it was class picture day! In the photo, Henry beams, unsullied, but the rest of the class is a sticky mess. Breen surrounds the impish rhino with smudges, spots, and brightly colored chaos, onomatopoeic expressions of clumsiness rendered in messy display type. The text reveals just enough to allow the pictures maximum humorous effect.

A spirited way to explore both causality and not-so-clean fun. (Picture book. 3-7)

Pub Date: Aug. 23, 2016

ISBN: 978-0-8037-4156-0

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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