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FRAM

An intriguing if unsteady novel that slips and slides on all that ice, never quite finding its footing.

A meek bureaucrat travels to the Arctic in this new novel by Himmer (Writing, Literature and Publishing/Emerson College; The Bee-Loud Glade, 2011, etc.).

Himmer’s Everyman protagonist is Oscar, a man who once dreamed of exploring the Arctic but has instead settled for an office job at the Bureau of Ice Prognostication in Washington, D.C. Oscar's days at this strange government agency involve regularly checking a “pole cam” (which delivers real-time images of the Arctic) and focusing on the minutiae of his office, including the overhead light bulb and his food-obsessed partner, Alexi. As Oscar dreams of a more exciting life, Himmer finds shades of Walter Mitty. Then true adventure arrives; Oscar receives a new, mysterious assignment to travel to the Arctic. But what exactly is the purpose of this trip? And who are the strange men and women who seem to be following him, from the subways of D.C. to the cobblestone streets of Portland, Maine? Himmer’s core—the bureaucrat asked to do big things—recalls Terry Gilliam’s Brazil and the work of Douglas Adams, and there’s great hope that the novel will be a stunner once its plot gets rolling. But Himmer never quite finds his tone: if adventure, the book needs to move faster; if satire, it needs a firmer target. As a result, the novel feels static in its middle sections; even though Oscar is on a great journey, he has no control over any of it, and it's unclear where the tension and suspense lie. Himmer’s best writing is elegiac, as when Oscar reflects on his aloof wife and their disintegrating marriage. (In a great moment, Himmer makes the word “Moo” sound sadder than anything else.) But he doesn’t maintain this tone—doesn’t quite maintain any tone, really.

An intriguing if unsteady novel that slips and slides on all that ice, never quite finding its footing.

Pub Date: Jan. 13, 2015

ISBN: 978-1-935439-98-1

Page Count: 285

Publisher: Ig Publishing

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE MEMORY POLICE

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

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A novelist tries to adapt to her ever changing reality as her world slowly disappears.

Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

Pub Date: Aug. 13, 2019

ISBN: 978-1-101-87060-0

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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THE ONE

Will simultaneously intrigue both romantics and skeptics. The science might oversimplify, but it’s gripping enough to read...

Marrs’ debut novel traces the stories of five people who find their soul mates—or do they?

Imagine if you could submit to a simple DNA test and then receive your Match in your email. Not just an online date who might be geographically compatible, but a true and unique genetically destined partner. While the potential long-term benefits may seem to outweigh the negative consequences, the system is far from infallible; as any science-fiction fan could tell you, if it sounds too good to be true, there’s usually a catastrophe lurking at the other end. Marrs’ novel traces five individuals who meet their Matches under varying circumstances and with widely conflicting outcomes. During the course of their romantic adventures (and misadventures), the entire DNA matching algorithm will prove to be susceptible to hacking, also proving that (gasp!) just because something may be driven by science doesn’t mean that it’s free from the world of human error. The philosophy posed by the novel speaks not just to the power of love and the laws of attraction, but also serves as a commentary on today’s world of genetic exploration. Do these breakthroughs simplify our lives, or do they make us lazy, replacing the idea of “destiny” or “fate” with “science” as a larger power that we don’t need to question? These ideas keep the novel moving along and create a deeper level of interest, since most of the narrative threads are fairly predictable. The two exceptions are the psychopathic serial killer who meets his Match and begins to lose interest in killing and the heterosexual man matched with another man, both of whom must then redefine sexuality and love, commitment and family.

Will simultaneously intrigue both romantics and skeptics. The science might oversimplify, but it’s gripping enough to read all in one sitting.

Pub Date: Feb. 20, 2018

ISBN: 978-1-335-00510-6

Page Count: 416

Publisher: Hanover Square Press

Review Posted Online: Dec. 6, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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