’Salem’s Lot meets Buffy the Vampire Slayer with incredible results.

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NEW HOPE

Set in the remote Maine town of New Hope in the late 1980s, this exceptional debut novel is an enticing blend of supernatural fiction, horror and one young woman’s coming-of-age.

This novel—which works equally well as a YA or adult read—revolves largely around almost-17-year-old Miri Jones, daughter of the town’s police chief. Attractive, intelligent, athletic and tenaciously inquisitive, Jones’ dream is to follow somewhat in her father’s footsteps, perhaps working as an investigator for the FBI. When she discovers the corpse of a young man while jogging on a woodland trail, she embraces her inner Nancy Drew and vows to solve the mystery, even though her father warns her to stay away. With her babysitting charge—13-year-old Christopher Marlowe—as partner, the young detective duo sets out to unravel the circumstances leading up to the bizarre murder. Marlowe, however, is hiding a bombshell of a secret, and once Jones discovers what Marlowe is concealing, the investigation takes a horrific turn. Jones’ worldview is obliterated when she learns that not only do creatures such as vampires and werewolves exist—they are in her own town! Accompanied by a small group of friends, Jones and Marlowe uncover jaw-dropping revelations that could very well get them—and those they love—brutally killed. So many aspects of the story are outstanding: character development, plot intricacy, innovative twists on old myths, setting—Hobbs nails the late ’80s vibe with references to Van Halen, Bob Seger, Steve Grogan of the New England Patriots, etc.—and narrative intensity. Also of note is the novel’s sardonic sense of humor; even in the most perilous of situations, the teenage protagonists still have wits enough to come up with some great comments: e.g., “By the way, there’s a lot of vampire crap at the library.” It’s fitting that Stephen King is mentioned in the storyline. This debut from Hobbs, who was raised in Maine, is very much comparable in tone and ambiance to King’s debut novel, Carrie (1974).

’Salem’s Lot meets Buffy the Vampire Slayer with incredible results.

Pub Date: May 7, 2014

ISBN: 978-1495349638

Page Count: 286

Publisher: CreateSpace

Review Posted Online: July 24, 2014

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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