From a skilled team, another intriguing invitation to explore the animal world.
Noses and teeth, horns and beaks, tusks and frills—odd, silly and sometimes scary-looking animal features help them survive.
Jenkins and Page have chosen 25 animals from around the world to tell readers how this works. The presentation of these adaptations gives the artist great scope to show off the remarkable images he can create out of cut and torn papers. A single animal head stares out from most pages. The eyes pop, and the curious features are prominent in these striking images, set on solid-colored backgrounds. The informational text is introduced with a question: “Dear hamster: Why are your cheeks so fat?” The voice of the animal answers: “That’s not fat—it’s my dinner.” Feathers can threaten predators or direct sound; feathery appendages on an axolotl are actually gills. A carrion-eating vulture stays clean without feathers on its face. A blobfish out of water is squished by gravity; a puffed-up puffer fish is hard to swallow. The question-and-answer approach draws readers in, offering room for surprise and a child’s own theories. The last page shows all 25 creatures (plus an adult human) in silhouette and to scale, noting what each eats. Maps show where on various continents or in which oceans each can be found.
From a skilled team, another intriguing invitation to explore the animal world. (bibliography) (Informational picture book. 4-8)Pub Date: Oct. 7, 2014
ISBN: 978-0-544-23351-5
Page Count: 32
Publisher: HMH Books
Review Posted Online: July 31, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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