Next book

CREATURE FEATURES

25 ANIMALS EXPLAIN WHY THEY LOOK THE WAY THEY DO

From a skilled team, another intriguing invitation to explore the animal world.

Noses and teeth, horns and beaks, tusks and frills—odd, silly and sometimes scary-looking animal features help them survive.

Jenkins and Page have chosen 25 animals from around the world to tell readers how this works. The presentation of these adaptations gives the artist great scope to show off the remarkable images he can create out of cut and torn papers. A single animal head stares out from most pages. The eyes pop, and the curious features are prominent in these striking images, set on solid-colored backgrounds. The informational text is introduced with a question: “Dear hamster: Why are your cheeks so fat?” The voice of the animal answers: “That’s not fat—it’s my dinner.” Feathers can threaten predators or direct sound; feathery appendages on an axolotl are actually gills. A carrion-eating vulture stays clean without feathers on its face. A blobfish out of water is squished by gravity; a puffed-up puffer fish is hard to swallow. The question-and-answer approach draws readers in, offering room for surprise and a child’s own theories. The last page shows all 25 creatures (plus an adult human) in silhouette and to scale, noting what each eats. Maps show where on various continents or in which oceans each can be found.

From a skilled team, another intriguing invitation to explore the animal world. (bibliography) (Informational picture book. 4-8)

Pub Date: Oct. 7, 2014

ISBN: 978-0-544-23351-5

Page Count: 32

Publisher: HMH Books

Review Posted Online: July 31, 2014

Kirkus Reviews Issue: Sept. 1, 2014

Next book

PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

Next book

THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

Close Quickview