When it comes to humor, it's the printed page that separates the men—like Woody Allen—from the boys. . . like Steve Martin. Without the Martin stand-up persona to project them, these 50 or so mini-pieces mostly fall flat—and the lack of variety is numbing. Stories, poems, anecdotes, jokes; whatever the form, nearly all of these bits are based on a single comic notion: deadpan, mildly absurdist parody. So: "How to Fold Soup." Or pseudo-existentialist parables. Or: "Dr. Fitzbee's Lucky Astrology Diet." Or parodies of artsy poetry, pompous art criticism, or the literati—all of which have been done better before, often in college humor magazines. And, without Martin's sneakily subversive all-American demeanor (his only inspired joke), one can't make much of a selection that reads in entirety: "La la loo de doo. . . . Oh gawsh. . . . Hey, buddy. . . . Hey, cumon back. . . . la la la la. . . . Dime fa a cuwa coffa? Hey. . . . la la la." Budding comics may want to use this book to find out if they have what it takes to read these whimsies aloud in a way that makes them funny—and Martin's young fans, who don't understand what most of the jokes are about, will probably enjoy it most. (Their parents, however, may not be pleased with some of the stuff here that could never be heard on TV).
Pub Date: June 15, 1979
ISBN: 0517330806
Page Count: 136
Publisher: Putnam
Review Posted Online: May 18, 2012
Kirkus Reviews Issue: June 1, 1979
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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