Despite their anecdotal nature, these punchy policing tales seem provocatively true to life.
Raucous recollections from a career as a New York City cop, from a veteran of The Moth storytelling series.
Osborne retired in 2003 as the commander of the Manhattan Gang Squad after 20 years of service, yet he seems more aligned with the street cop’s earthy brotherhood than with the authority of command: “It’s a good feeling knowing that you belong to a family [and] also the biggest and baddest gang in the city.” Although his narrative approach is generalized rather than focused on concrete case histories, the author portrays a rough arc of the transformation of New York City from the decay and constant crime of the early 1980s to the historic crime reductions followed by the greater horror of 9/11 (at which he was present). In explaining his post-retirement interest in storytelling, he writes, for “twenty years my family and friends really didn’t understand what I did for a living.” The son of a tough cop himself, Osborne seemingly never considered any other life. Tonally, he comes off as an avuncular, world-weary tough guy, embodying the “cops know best” attitude that many find alienating. Yet he elevates his perspective by displaying empathy for the civilians, victims and even criminals he has encountered, drawing complex lines between the “lost souls” and “evil motherfuckers” of the underworld. The book has a light, episodic structure, with most chapters built around a less-understood aspect of policing (the weird dynamics of midnight tours or elite anti-crime units) or a dramatic street scene (a near riot in Washington Square Park). Osborne is often humorous, although some readers may find him frank to the point of cynicism: “People like to think cops are racists and only lock up minorities….After being a cop for a few years, you learn to dislike people equally.”
Despite their anecdotal nature, these punchy policing tales seem provocatively true to life.Pub Date: April 21, 2015
ISBN: 978-0-385-53962-3
Page Count: 272
Publisher: Doubleday
Review Posted Online: Jan. 14, 2015
Kirkus Reviews Issue: Feb. 1, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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