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THE LONG NIGHT

WILLIAM L. SHIRER AND THE RISE AND FALL OF THE THIRD REICH

In a trenchant discussion of journalism, biography and ethics, Newsday senior editor Wick (Bad Company: Drugs, Hollywood and the Cotton Club Murder, 1990, etc.) examines the life of William Shirer (1904–1993), American war correspondent and author of the landmark book The Rise and Fall of the Third Reich (1960).

The author is very much attuned to the conflicts and difficulties of a journalist like Shirer working in a police state. Wick asks what more he might have done, and discusses Shirer’s concerns about getting stories published in New York, where he thought “no one…paid much attention.” Shirer’s knowledge only part of the story. He endured both the German government’s lies and the corporate concerns of CBS, and he had to act on this partial and contradictory knowledge, not the fuller truth now available. He also had to protect his sources. His transmissions were monitored by Nazi spies in the United States who reported back with recommendations for action against him. It was a major undertaking for him to get his diaries and personal papers out of Hitler’s Germany when he left in 1940. The papers eventually provided the necessary documentation for the influential books he later wrote about Hitler's rise to power and the Third Reich. As one of the first broadcast journalists, Shirer was breaking new ground with his nightly transmissions. Unfortunately, we will never know his full story because he protected his sources and burned sensitive papers before he left. A gripping account of a courageous journalist's efforts to alert the world to Hitler's plan, and an engaging discussion of the relationship between journalism and personal integrity, which is as relevant today as it was then.

 

Pub Date: Aug. 2, 2011

ISBN: 978-0-230-62318-7

Page Count: 288

Publisher: Palgrave Macmillan

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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