Despite his book's depiction of dark realities—the guilt and despair of the characters’ interior lives is matched by...
Despite graphic deaths and a variety of police cases, Yarbrough’s 11th work of fiction (The Realm of Last Chances, 2013, etc.) is less a murder mystery than an exploration of how abruptly lives can go off the rails.
In 2006, Los Angeles Times reporter Richard Brennan is spending Christmas with his adored wife, Julia, and daughter, Anna, in Julia’s native Krakow. If the opening scene of domestic happiness, tree-trimming in a cozy apartment, feels too perfect to last, it is. A car accident kills Anna and Julia. Trapped in the passenger seat, Richard is sure he will never forget the face of the other driver, who glances into their car before fleeing the scene. That driver, never identified by the police, is Bogdan Baranowski, who's rushing to the hospital. A German shepherd has mauled his friend Marek as they made a botched robbery attempt, an act of desperation by men facing ruin in post-communist Poland. Over the novel’s 10-year span, Bogdan and Richard struggle separately to come to terms with what happened that night. Richard allows himself to become stunted by his grief. After helping another reporter cover the murder/suicide of a couple and their three children—a tragedy that, like the car crash, combines an accident of bad timing with bad decision-making—Richard realizes he’s lost his ambition as a serious journalist. Meanwhile, Bogdan drinks to excess and loses his job. His wife leaves him. He takes the rap for a minor crime and spends a year in prison to expiate his guilt over the Brennan deaths. But Bogdan’s potential goodness will have readers rooting for him. Actually, readers will root for all the novel’s tenderly drawn, flawed characters.
Despite his book's depiction of dark realities—the guilt and despair of the characters’ interior lives is matched by political turmoil in both the U.S. and Eastern Europe—Yarbrough’s pensively hopeful view of people’ capacity to endure, even prosper, shines through.Pub Date: Jan. 16, 2018
ISBN: 978-1-60953-143-0
Page Count: 384
Publisher: Unbridled Books
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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