A well-researched historical tale that illuminates and transcends Argentinian politics.
An Argentinian journalist pursues what may be the story of a lifetime in Sanderson’s novel.
On a chilly night in Buenos Aires in 1956, a man hands an infant girl over to a young nun at an orphanage. Fifty-two years later, in 2006, journalist Andrés Carriego, an outspoken critic of the corrupt Peronist movement, makes a living writing under the pen name Funes—a reference to a story by Argentine writer Jorge Luis Borges, who makes a cameo later on. Carriego is in possession of 30 years’ worth of writings by a mysterious woman who claims to be the daughter of politician Juan Perón and a 13-year-old girl named Nélida Haydeé Rivas. Days after Perón's reburial in San Vincente sparked bloody protests, Carriego received a journal from a woman who was killed in the violence. In a note, she identifies herself as Dolores Perón Rivas and asks Carriego to share her story. Through Dolores’ journal, Sanderson describes, in intricate detail, the orderly but loveless convent from which she escaped at 15, the cigarette smoke and raised voices of her bohemian apartment, and the wretchedness of a jail cell. Dolores is also shown to be a victim of assault and other atrocities committed during a 1976 military dictatorship. Sanderson, a Fulbright scholar who’s published extensive work on Latin America, challenges readers to solve the story’s mysteries, perhaps knowing that historical questions become boring the moment they’re answered. Along the way, he manages to spin an almost mystical tale, full of visions, sacrifice, and wandering, out of Perón and Rivas’ story. Alongside the political tumult and bloodshed, he effectively explores themes involving motherhood and sexist attitudes toward women. Nuns repeatedly tell Delores that her mother was a “whore,” for example, but she still wants desperately to meet her; this longing manifests in fixations on maternal figures, which bleed into attraction in the case of Sister Fabula, the only kind nun at the convent, and Blanca, a university student. It all leads to a devastating, inevitable confrontation between Dolores and Rivas in the book’s second half.
A well-researched historical tale that illuminates and transcends Argentinian politics.Pub Date: Aug. 31, 2021
ISBN: 978-1-914913-01-3
Page Count: 208
Publisher: The Conrad Press
Review Posted Online: Sept. 27, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A novel that’s lacking both as fiction and history.
The latest Patterson co-write dramatizes unproven rumors that Adolf Hitler shot and killed his 23-year-old half niece, Geli Raubal, in Munich in 1931 in a fit of jealousy.
As with other young women in his past, Hitler essentially kept Raubal captive and forced her to participate in perverse sexual rituals with him. The murder occurs after she tells him she’s leaving Munich for Vienna to be with a man she intends to marry. (Fictional) police detective Thomas Bauer, a war hero whose wife and children are Jewish, risks his life over and over to nail Hitler for the crime (which is ruled a suicide) as the fascist state evolves and concentration camp horrors unfold. Periodically, the action shifts to the present, when in brief superfluous scenes an American professor, Eleanor Robbins, is mysteriously targeted for her efforts to obtain films of Hitler’s final moments with Raubal. The portrayal of Hitler is so caricatured that he casts a thin shadow here—as do the evil trio of Goebbels, Himmler, and Göring—depriving the story of urgency. The authors are more comfortable offsetting sobering, dutifully rolled out facts about Hitler’s rise and fall with breezy entertainment. Bauer, a master of the wisecrack, teams up with a young former intelligence officer in buddy-movie fashion. In one of this overlong novel’s best scenes, Raubal—the subject of much better novels, including Ron Hansen’s Hitler’s Niece (1999)—goes to a nightclub with Hitler; once there, he nudges her into showing off her vocal skills, only to have her ruffle his insecurities by stealing attention. In the end, Robbins pronounces, “Everything that happened…could have been prevented, if honest people had been allowed to simply do their jobs.” Fat chance of that.
A novel that’s lacking both as fiction and history.Pub Date: Sept. 21, 2026
ISBN: 9780316404099
Page Count: 528
Publisher: Little, Brown
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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