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OBSESSION

THE LIVES AND TIMES OF CALVIN KLEIN

This unauthorized biography is part riveting empire-building chronicle, part tiresome litany of sexcapades. Gaines has trod much of this territory before in Simply Halston (1991); Churcher is a former Wall Street Journal reporter. Born to a relatively affluent Bronx family, Klein took a job with a Seventh Avenue coat manufacturer, married a local girl, had a baby, and moved to Queens. But when the president of Bonwit Teller fell for a line of Calvin-designed coats and suits, all that changed. Bonwit's hyped him, and other stores lined up to get in on the act. Klein shed his wife and, in the 70's, remade himself into a regular on the Studio 54 and Fire Island scenes, launching a string of affairs with men and women. His daughter was kidnapped but released unharmed. Blue jean sales careened off the charts, helped by those ``Nothing comes between me and my Calvins'' ads featuring Brooke Shields. Klein went on to further success with both underwear and his fragrance, Obsession. As the world around him was decimated by AIDS, Klein edged out of the sex-and-drugs fast lane, marrying Kelly Rector, a design assistant in his studio. Ironically, the machinations of the Klein empire—the advertising coups, the disastrous decisions (i.e., the selection of the first Klein fragrance, which was universally disliked), the high-strung temperaments, the titanic personality clashes—make for far more scintillating reading than the exhaustive attempts to exhume every detail of the designer's sexual history. Occasional excessive biographic license (``A chill ran up Calvin's spine'') subtracts credibility. In all: part solid business reporting, part gratuitous heavy breathing. (First printing of 100,000)

Pub Date: April 1, 1994

ISBN: 1-55972-235-5

Page Count: 416

Publisher: Birch Lane Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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