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KING DAVID

A BIOGRAPHY

work in the conspiracy school of Biblical criticism.

A strenuously speculative biography of a cherished Biblical figure, equated here to Saddam Hussein.

Bible scholar McKenzie (The Hebrew Bible Today, not reviewed) attacks King David with a vehemence worthy of St. Paul—after his vision on the road to Damascus. He gleefully points out David’s recorded and fictional stains, as if the Bible were not already long-established as a clothesline of dirty laundry pinned up for moral lessons in personal responsibility and divine karma. McKenzie refuses to consider David's sexual misconduct, unplanned self-incrimination, loss of sons, courageous admission of guilt, and ascent to the throne as simply the second bookend of the Judah epic of Genesis. On the contrary, after deeming David historical enough to malign, McKenzie uses a “Deuteronomistic History” theory to date a hodgepodge writing of the David saga centuries later than previously supposed for political reasons of his own. Among the accusations McKenzie levies against the psalmist-king are these: he was a soldier, his failed coup earned Saul's enmity, his outlaws plundered and annihilated Judean villages, he “murdered Nabal and seized his wife, Abigail, and his property,” he was responsible for King Saul's death, and he iced a dozen other political threats. Much of the guilt behind these assertions is thoroughly circumstantial and based upon McKenzie’s estimations of what David stood to gain from such enormities. David is called a mafioso, a terrorist, and worse, while positive Biblical depictions are deemed “unlikely.” To McKenzie, the ark is “a northern artifact” and the northern tribes were “a conquered people.” After 18 pages of notes there is a bibliography of over 340 works by other secular scholars not known for empathy or familiarity with ancient Semitic religious texts. McKenzie might well place David on the grassy knoll in Dallas in 1963. He should be credited for providing an imaginative

work in the conspiracy school of Biblical criticism.

Pub Date: April 1, 2000

ISBN: 0-19-513273-4

Page Count: 272

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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