A thoughtful, zany rendition of small-town life.
A comical, character-driven novel focuses on a Nebraska town.
Delphic Oracle, Nebraska, used to be called Miagrammesto Station. That changed when a con man named July Pennybaker came to town in the 1920s. At the age of 27, July had already seen a lot in life. After he stole money from the Mafia in Chicago, he fled to Nebraska, where he was discovered by a lovely young woman named Maggie Westinghouse. Although Maggie was suspicious of this apparent vagabond who managed to talk like a “college professor,” the two ultimately formed a couple. With the help of one of July’s friends who posed as a faith healer, Maggie became the Delphic Oracle. People traveled from miles around just to see her. July realized that despite Maggie’s toughness, grifting was just not in her nature. The two fell in love; yet, under such circumstances, could it last? The narrative skips back and forth to modern times when the town of Delphic Oracle is a hub of activity. While sometimes the action is on the baseball field, several folks embark on spiritual quests. The narrator tells it all from an oddly lenient correctional facility. Although events and characters lend themselves to the fantastical (a man who teaches poetry is named Byron Emerson), Mayfield’s story is full of heart. Some occurrences, such as a man getting his arm stuck while attempting to change the battery in his truck, may feel like a stretch. Yet readers will manage to empathize with this man as he stands there at one point dreaming that he can fly, soaring “into an azure sky.” Other scenes can overdo the rural hokeyness. Someone at a local baseball game constantly chanting “Hey battuh, hey battuh, hey battuh” and “Swing battuh” is no more humorous than it sounds. Nevertheless, this place where one woman holds “respect for God and Ouija boards roughly equivalent” becomes engaging in its own quirky way.
A thoughtful, zany rendition of small-town life.Pub Date: Oct. 11, 2022
ISBN: 978-1-64603-292-1
Page Count: 298
Publisher: Regal House Publishing
Review Posted Online: Sept. 28, 2022
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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