A delightful romp with memorable characters.
In the early 20th century, the citizens of a former gold rush town concoct a scheme to save their homes in Mayfield’s novel.
The once-thriving gold mining town of Paradise, Idaho now has a diminishing population and a big problem: the approaching 1920 census. The combination of the gold rush cooling, the Spanish Flu, and a raging war in Europe has reduced the town’s population to fewer than 125 total residents—the official threshold for town incorporation, as millionaire politician Gerald Dredd is keen to remind them. Under the threat of losing their homes, the town council members band together to bring new people in. Led by former madam Maude Dollarhyde, her mixed-race granddaughter, Bountiful (a brilliant teacher recently returned from Washington, DC), former prospector “Goldstrike,” and the local saloon owner, Arnold Chang, they come up with the brilliant idea of selling four of the town’s abandoned mansions for a penny each to prospective buyers who will agree to restore them—and, more importantly, stay in town, at least until the census is taken. After going through many applications, the town welcomes the arrival of a theatrical family troupe, a household of excommunicated Mormons, an electrical engineer, and a handy lawyer with his wife and child (in case they need to fight their case in court). Little do they know, at least one of those newcomers is a mole sent by Dredd to sabotage their plan. What follows in Mayfield’s brilliant, well-rounded, fun novel is a twisty mix of murder, comedy, romance, and history. With plenty of humor (“folks will come up here to escape the hustle and bustle of city life. We’ll be like Switzerland. Once rich folks have made their nut, they always want to live in Switzerland”)and a narrative that follows a cast of endearing characters as they fight for the life of their beloved town, the story has a true sense of community, making it impossible not to root for its quirky heroes and against the dastardly villains.
A delightful romp with memorable characters.Pub Date: Oct. 24, 2023
ISBN: 9781646034000
Page Count: 322
Publisher: Regal House Publishing
Review Posted Online: Aug. 14, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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