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VAN GOGH

THE LIFE

Despite its exhaustive length, the book is brilliantly written and engaging, presenting a three-dimensional and...

A gripping and almost certainly definitive account of the all-too-short life of a great artist who believed he was doomed to oblivion.

Indeed, few who knew Vincent van Gogh (1853–1890) thought he would amount to anything. Fired by religious mania, mental illness and a love-hate relationship with his domineering pastor father, he was a difficult child who became a socially awkward adult. After blowing through a series of failed careers—art dealer, preacher (repeatedly), tutor, bookkeeper—he was well into his 20s before he became an artist. “This painting of yours will be like all the other things you started, it will come to nothing,” said one former employer. But for van Gogh, art, not religion, was the transcendence he had been looking for all along, offering “an imagery of reconciliation with which he could re-imagine his own life of failure and remorse.” His new calling proved every bit as monkish and self-mortifying as his old one, pushing him to create but failing to reward him, forcing him to rely on money from his beloved brother Theo. A desperate and haunted figure, he faced demons both outer (personal and professional rejection) and inner (paranoia, self-hatred, self-mutilation and a lifelong yearning for death). Van Gogh’s life has long been the stuff of tortured-artist drama, but it is hard to imagine it has ever been told better than by Pulitzer winners Naifeh and Smith (Jackson Pollack, 1991, etc.). Their van Gogh is tender, caddish, selfish and sympathetic. The authors occasionally get defensive about their subject, but they offer a credibly argued theory that suggests he died from an accidental shooting, not suicide.

Despite its exhaustive length, the book is brilliantly written and engaging, presenting a three-dimensional and larger-than-life portrait of the artist.

Pub Date: Oct. 18, 2011

ISBN: 978-0-375-50748-9

Page Count: 976

Publisher: Random House

Review Posted Online: Nov. 24, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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