A lively yarn about the gross but tasty sausage-making of politics.
An idealistic third party braves the snake pit of Illinois politics in this second volume of a sprawling trilogy on statehouse skullduggery.
In this continuing saga, the upstart E Party—for Ethics, Economy, and Education—has won a smashing election victory, picking up the Illinois governorship for its dark horse candidate, Baseball Hall-of-Famer Tom Robinson; four of six statewide offices; and the balance of power in the state legislature. Alas, sinister cabals of Democrats and Republicans gather to thwart the party’s program of government ethics, sound budgets, and education reform. The Republicans file for a governor’s race recount, hobbling Tom’s ability to push his agenda; the Robinson administration’s effort to streamline state operations runs afoul of obscure legal strictures; the budget bogs down; a battle royal over redrawing legislative districts opens up an abyss of partisan jockeying; and the education reform bill faces a constitutional challenge by the ACLU (for good reason, as the bill would force high school dropouts to go to school, enter the Army, or do some volunteer gig like AmeriCorps, which sounds like involuntary servitude). Arrayed against the plucky EPers is an array of foes: colluding Republican and Democratic election lawyers; Eddie Cobb, the dark lord of the Democratic National Committee, intent on strangling the EP in its cradle; and Javier Sanchez, a Democratic assemblyman doing Cobb’s dirty work in exchange for help in becoming speaker. Caught in the middle is current Speaker David Kennedy, a master strategist looking to fend off Cobb’s and Sanchez’s attacks and cement his legacy with education reform. There is much heavy-duty wonkery in Nemerovski’s (Third Party, 2016, etc.) novel, but the procedural of election challenges and ballot counting, redistricting maps (they now rely on computer models that would baffle NASA), lobbying, and arcane parliamentary maneuvering is engrossing; the mainly epistolary format of the narrative includes a few overlong memos but mostly unfolds in snappy emails and press reports. Unfortunately, while the EPers hold their own in Springfield, the Republocrats dominate the narrative with their colorful scheming, cackling, vote-stealing, back-stabbing, and womanizing. The EP characters are chiefly boring do-gooders who are forever telling one another how amazing they are. The donkey-elephant show is entertaining enough that readers should hope that the EP never pushes it off the stage.
A lively yarn about the gross but tasty sausage-making of politics.Pub Date: Aug. 2, 2016
ISBN: 978-1-68111-129-2
Page Count: -
Publisher: Wasteland Press
Review Posted Online: Feb. 7, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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