by Steven Pressfield ‧ RELEASE DATE: May 1, 1995
Golf as pastoral ode? Not for screenwriter Pressfield, whose captivating first novel borrows more from Homer's record of heroic clashes than from Wordsworth's musings on lakes and verdancy. It's 1931, and while the country struggles through the Great Depression, Adele Invergordon of Savannah, Ga., presides over an exhibition match between Walter Hagen and Bobby Jones held at her family's spectacular new coastal course, Krewe Island. To appease Savannah's city fathers, Invergordon is compelled to allow local hero Rannulph Junah to compete alongside the two golf titans for the $20,000 purse. A troubled WW I vet once in possession of ``every virtue of shining Southern manhood,'' Junah has been wandering the globe, searching for enlightenment in the company of Bagger Vance, his companion, confidant, and sage. Reluctant to test his rusty talent against stellar competition, Junah relents only when Vance, a black man, offers to be his caddy. What follows is not so much a report of the match as a sometimes awkward metaphysical fugue that integrates sport, spirituality, and the quest for individual fulfillment. Vance is no average caddy: He's an immortal warrior god who just happens to groove on golf, offering his champion the incontrovertible wisdom of the Authentic Swing while showing him how Hagen and Jones tap into their auras to reach linkster Nirvana. Junah's 36 holes against the dashing Hagen and the quietly brilliant Jones follow a pattern as old as Hellenistic verse: After a shaky start and the requisite sulking, Junah gathers himself and scorches the final 18. Along the way, Vance teaches him to play as if he, his game, and the course were a continuous expression of the examined life. Throughout, Pressfield displays his limber knowledge of a nobler golfing age, when gentleman players wore plus-fours and wielded clubs with hickory shafts. His hymn to the sport is less convincing when his classicism drops acid—Vance sometimes sounds precariously like Timothy Leary—but such lapses are forgivable. Altogether, then, a swift, dandy debut. (Film rights to Jake Eberts)
Pub Date: May 1, 1995
ISBN: 0-688-14048-3
Page Count: 240
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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