Very much Nicholas Sparks, with a locavore’s idealization of venison bacon, ramps, wild asparagus, white cap flint corn and...
In Raichlen’s debut mainstream fiction, luck can run out and leave happiness hanging by a thread.
Raichlen, journalist and television host, takes readers to Chappaquiddick Island, site of a notorious misjudgment, and writes about a New York editor and foodie trapped in double tragedy. Claire Doheney has won awards at Apogee Press, all while dealing with a co-ed–seducing, professor husband and a daughter, Molly, whose life is all grunge, angst and piercings. Then Claire finds a dreaded lump. Diagnosed with breast cancer, she informs her husband, who promptly responds that he has found another woman to bed. Claire heals from disease and divorce at the elegant Chappaquiddick home of her best friend, Sheila. On the isolated island, Claire encounters the Hermit of Chappaquiddick, disheveled and distant, a man with dark secrets. Raichlen is solid in his descriptions of island life, in season and out. Characters are always accomplished or intriguing, although he often uses celebrity comparisons—“Imagine Queen Latifah as a white woman with a voice like Bette Midler’s.” Raichlen knows food, cooking and the ambrosial joy of natural ingredients. The foodie descriptions are succulent on the page, but the narrative is one of love, loss and endurance. On Chappaquiddick, Claire works with a “brilliant…nutty as a fruitcake” biographer of Wilhelm Reich, the iconoclast, psychiatrist and inventor of the orgone accumulator much referenced in the tale. Simultaneously, after he tends her following a bike accident, Claire draws the Hermit from his shell with empathy and gourmet cooking. Romance, happiness and death follow. The cad husband gets comeuppance. Molly finds her feet. And characters as varied as Wrench, Molly’s biker boyfriend, and Patrick, the compassionate ferry captain, make a veritable family. In the end, Claire even bests Beidermann, her bean-counting Master of Business Administration boss.
Very much Nicholas Sparks, with a locavore’s idealization of venison bacon, ramps, wild asparagus, white cap flint corn and Cape Poge Bay littlenecks and scallops.Pub Date: June 19, 2012
ISBN: 978-0-7653-3238-7
Page Count: 288
Publisher: Forge
Review Posted Online: May 28, 2012
Kirkus Reviews Issue: June 15, 2012
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
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