by Steven Saylor ‧ RELEASE DATE: June 6, 2005
Unlike Lawrence Block, Saylor is not equally at home in short stories and novels, and none of these mysteries is very...
Ancient Rome’s preeminent private eye plies his trade in nine reprints culled from the past ten years.
Between 77 and 64 b.c.e., Gordianus (The Judgment of Caesar, 2004, etc.) is in demand for a wide variety of cases. In “The White Fawn,” the most inventive of these tales, renegade general Quintus Sertorius demands that Gordianus recover the missing deer that he insists advises him in warfare. Decimus Brutus wants him to investigate his wife Sempronia, whom he suspects of adultery and murderous plotting in “The Consul’s Wife.” Gordianus investigates murder in “Archimedes’ Tomb” and the more ingenious “Death by Eros,” an apparent return from the grave in “A Gladiator Dies Only Once,” and what looks like copyright infringement in “Something Fishy in Pompeii.” In “The Cherries of Lucullus,” the retired consul wants him to prove, against all evidence, that his gardener is really an escaped Roman rebel leader. And a beloved toy of his son Eco goes mysteriously missing in the charming “If a Cyclops Could Vanish in the Blink of an Eye.”
Unlike Lawrence Block, Saylor is not equally at home in short stories and novels, and none of these mysteries is very mysterious—“Poppy and the Poisoned Cake” is perhaps the most anticlimactic—yet they all engagingly evoke the last days of the Roman Republic and show the often tumultuous domestic lives of Gordianus’ lofty real-life acquaintances.Pub Date: June 6, 2005
ISBN: 0-312-27120-4
Page Count: 288
Publisher: Minotaur
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
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by James Patterson ‧ RELEASE DATE: Nov. 19, 2001
A real test for Patterson’s huge audience: If they buy this, they’ll buy anything.
Only a writer of Patterson’s star-wattage could have hoodwinked his publisher into bringing out this unlovely mess, which pits forensic psychologist Alex Cross against two separate serial killers.
It begins with the slaughter of still another of Cross’s professional and romantic partners, FBI agent Betsey Cavalierre, by Cross’s old nemesis, the Mastermind (Roses Are Red, 2000), who instantly phones to taunt his adversary. With still another partner dead, how can Cross go on? But he has to, immediately, because another killer is on the loose—actually, a pair of killers, William and Michael Alexander, teenaged vampires whose murder of two army officers in Golden Gate Park is just a warmup for the carnage to come. As the Mastermind keeps trying to get Cross’s attention by threatening his adorable kids, his grandmother, and everyone else he’s ever known, Patterson, apparently eager to escape the constraints of the low body count in the soapy Suzanne’s Diary for Nicholas (p. 694), unleashes the hounds of hell. Under the direction of their dread Sire, the exultant Alexander brothers (“We’re immortal! We’ll never die!”), leave a trail of gory victims in Las Vegas, Savannah, New Orleans, and Baton Rouge before returning to Santa Cruz for a climactic sequence that finally unmasks the ho-hum Sire. The moment the vampire chronicles end, Cross, without missing a beat, turns to that other serial killer, and soon, courtesy of one of his famous profiler’s hunches, has the Mastermind in his sights. Can he hunt down his enemy before the Mastermind exacts a terrible vengeance against somebody else—say, beauteous Jamilla Hughes of San Francisco Homicide—whose death would reduce Cross to babbling despair? The grade-school characterizations of everyone from cops to victims to cackling psychos guarantee that you won’t care a bit.
A real test for Patterson’s huge audience: If they buy this, they’ll buy anything.Pub Date: Nov. 19, 2001
ISBN: 0-316-69323-5
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2001
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by Robert Goldsborough ‧ RELEASE DATE: May 19, 2020
The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.
In Archie Goodwin's 15th adventure since the death of his creator, Rex Stout, his gossipy Aunt Edna Wainwright lures him from 34th Street to his carefully unnamed hometown in Ohio to investigate the death of a well-hated bank president.
Tom Blankenship, the local police chief, thinks there’s no case since Logan Mulgrew shot himself. But Archie’s mother, Marjorie Goodwin, and Aunt Edna know lots of people with reason to have killed him. Mulgrew drove rival banker Charles Purcell out of business, forcing Purcell to get work as an auto mechanic, and foreclosed on dairy farmer Harold Mapes’ spread. Lester Newman is convinced that Mulgrew murdered his ailing wife, Lester’s sister, so that he could romance her nurse, Carrie Yeager. And Donna Newman, Lester’s granddaughter, might have had an eye on her great-uncle’s substantial estate. Nor is Archie limited to mulling over his relatives’ gossip, for Trumpet reporter Verna Kay Padgett, whose apartment window was shot out the night her column raised questions about the alleged suicide, is perfectly willing to publish a floridly actionable summary of the leading suspects that delights her editor, shocks Archie, and infuriates everyone else. The one person missing is Archie’s boss, Nero Wolfe (Death of an Art Collector, 2019, etc.), and fans will breathe a sigh of relief when he appears at Marjorie’s door, debriefs Archie, notices a telltale clue, prepares dinner for everyone, sleeps on his discovery, and arranges a meeting of all parties in Marjorie’s living room in which he names the killer.
The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.Pub Date: May 19, 2020
ISBN: 978-1-5040-5988-6
Page Count: 248
Publisher: Mysterious Press
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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