Criticism that enhances the appreciation of readers well-versed in the author’s work.



Close, scholarly readings of a master storyteller’s fiction, memoirs and essays suggest his uncommon breadth and depth.

The 1986 winner of the Nobel Peace Prize, memoirist and novelist Wiesel (Open Heart, 2012, etc.) has been a profound thinker and prolific writer whose work reflects his experiences in the Nazi concentration camps. This collection encompasses “a broader range of critical perception,” showing how his Hasidic faith, his biblical interpretations and his meditations on the silence and solitude of God illuminate the central focus of his work on the Holocaust—on which the author has written about so often while maintaining the impossibility of writing about it. Among the essays, titles such as “Alone with God: Wiesel’s Writings on the Bible,” “Wiesel in the Context of Neo-Hasidism” and “Wiesel’s Contribution to a Christian Understanding of Judaism” reflect the variety of perspectives through which scholars approach his work, while the literary criticism of “The Trauma of History in The Gates of the Forest” attests to the multifaceted genius of his fiction. Since Wiesel has already been so widely written about and justly celebrated, this attempt to fill some of the cracks and broaden the discussion requires that readers already have a wide and deep familiarity with the author’s work. “[Wiesel] has been able to place the questions before the public in his own narrative form, that of the teacher,” writes Everett Fox (Judaic and Biblical Studies/Clark Univ.). “The model here is not the lecturer, nor the resident intellectual, nor the pedant. Rather, Wiesel brings his audience along with the flair of a storyteller, but a storyteller who knows how to go into the audience to pose the questions that are on, or should be on, everyone’s mind.”

Criticism that enhances the appreciation of readers well-versed in the author’s work.

Pub Date: May 17, 2013

ISBN: 978-0-253-00805-3

Page Count: 312

Publisher: Indiana Univ.

Review Posted Online: Sept. 21, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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